Numéro un est banal
Numéro deux est ce qu'il fallait illustrer
Numéro trois doit identifier le territoire avec cette
architecture Slovène
Numéro quatre — si avec contraste élevé et en N&B
— aurait l'air d'une scene d'hiver
Numéro cinq est une scene de ruralité profonde
Numéro six aussi… y'a pas de chemin qui mène à cette
retraite de vacance très isolée.
—
Interesting comment! For me…
Number one is banal
Number two is what had to be illustrated
Number three mean to identify the territory with this
Slovenian architecture
Number four — if with high contrast and in B&W
— would look like a winter scene
Number Five is a scene of deepest rurality
Number six too ... there's no road to that very isolated
holiday retreat.
Nikon Shooter wrote: Intéressant commentaire! Pour moi…
Numéro un est banal
Numéro deux est ce qu'il fallait illustrer
Numéro trois doit identifier le territoire avec cette
architecture Slovène
Numéro quatre — si avec contraste élevé et en N&B
— aurait l'air d'une scene d'hiver
Numéro cinq est une scene de ruralité profonde
Numéro six aussi… y'a pas de chemin qui mène à cette
retraite de vacance très isolée.
—
Interesting comment! For me…
Number one is banal
Number two is what had to be illustrated
Number three mean to identify the territory with this
Slovenian architecture
Number four — if with high contrast and in B&W
— would look like a winter scene
Number Five is a scene of deepest rurality
Number six too ... there's no road to that very isolated
holiday retreat.
Aucun argument avec vos commentaires. Mais, j’ai regarde les images comme debout le long des tirs et non pas a travers la lentille d’une histoire qui n’a pas ete fournie. Dans le contexte de l’histoire, ils fonctionnent tous tres bien. #1 est toujours mon prefere.
There are photographs everywhere. It is the call of photographers to see and capture those images.
www: garyayala.com
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