I also didn't know that it is for theatrical purposes. But since you've mentioned it, can you help enlighten me how do you differentiate theatrical moods from documentation moods?
Rohan Tushar wrote: I also didn't know that it is for theatrical purposes.
I spoke of publishing purpose I think, Rohan.
Rohan Tushar wrote: But since you've mentioned it, can you help enlighten me how do you differentiate theatrical moods from documentation moods?
This pictures, like 14 others, were bought to illustrate a book
aimed at children education in ecology. The rendition is very
strictly technical — read no artistic intent applied — to repre-
sent the shooting conditions.
I created a fake centrefold layout to show why is was selected
for its tonal features that are a plus for the book.
The second rendition is, I suppose, what you would have liked
to see and is an interpretation of a documentation shot.
Rohan Tushar wrote: I also didn't know that it is for theatrical purposes.
I spoke of publishing purpose I think, Rohan.
Rohan Tushar wrote: But since you've mentioned it, can you help enlighten me how do you differentiate theatrical moods from documentation moods?
This pictures, like 14 others, were bought to illustrate a book
aimed at children education in ecology. The rendition is very
strictly technical — read no artistic intent applied — to repre-
sent the shooting conditions.
I created a fake centrefold layout to show why is was selected
for its tonal features that are a plus for the book.
The second rendition is, I suppose, what you would have liked
to see and is an interpretation of a documentation shot.
This is very informative. Thanks for this. i guess the purpose of the shot or the demand of the client is also a major factor in the output of the shot.
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