Zach Mosher wrote: I always had a tough time with high contrast shots and recently started to shoot all my shots slight underexposed. All my shots will cross through Lightroom and therefor get some edit work done. I find I get more detail and better control of my highlights doing this way.
But if this is remotely a good practice, then why aren't the manufactures building this into the exposure algorithms these cameras use?
Troponin wrote:
Zach Mosher wrote: I always had a tough time with high contrast shots and recently started to shoot all my shots slight underexposed. All my shots will cross through Lightroom and therefor get some edit work done. I find I get more detail and better control of my highlights doing this way.
But if this is remotely a good practice, then why aren't the manufactures building this into the exposure algorithms these cameras use?
Sony kind of did this and it drives me crazy. It’s anywhere from 1/2-2/3 of a stop low. Shadows can be just as harmful as highlights, especially in some areas of photography, like macro. I find that I can lose detail in dark hair (spiders), and in those tiny little spaces. For birds, the darker feathers can start causing issues too.
At one time photogs “Exposed to the left” to get less highlights, but now that we have histograms, can see what is happening in the field, and digital editing, a lot of photogs have gone the other direction and actually expose slightly right.
Personally, I try to get as close to the correct exposure as possible, but will over/underexpose for certain shots
Zach Mosher wrote:
Troponin wrote:
Zach Mosher wrote: I always had a tough time with high contrast shots and recently started to shoot all my shots slight underexposed. All my shots will cross through Lightroom and therefor get some edit work done. I find I get more detail and better control of my highlights doing this way.
But if this is remotely a good practice, then why aren't the manufactures building this into the exposure algorithms these cameras use?
Sony kind of did this and it drives me crazy. It’s anywhere from 1/2-2/3 of a stop low. Shadows can be just as harmful as highlights, especially in some areas of photography, like macro. I find that I can lose detail in dark hair (spiders), and in those tiny little spaces. For birds, the darker feathers can start causing issues too.
At one time photogs “Exposed to the left” to get less highlights, but now that we have histograms, can see what is happening in the field, and digital editing, a lot of photogs have gone the other direction and actually expose slightly right.
Personally, I try to get as close to the correct exposure as possible, but will over/underexpose for certain shots
Didn't know that about the Sony's. But the detail is easier to pull out from an underexposed area vs blown out. I do agree, that the extremes are pretty much PITA regardless.
So what sort of shots will you underexpose for? Give me an example please.
Zach Mosher wrote: I don't check my histogram till generally in Lightroom.
Nikon Shooter wrote:
Zach Mosher wrote: I don't check my histogram till generally in Lightroom.
Forget Lr… it's all on the camera screen — where a quick look
will confirm or infirm your exposure. Really your best friend.
Zach Mosher wrote:
Nikon Shooter wrote:
Zach Mosher wrote: I don't check my histogram till generally in Lightroom.
Forget Lr… it's all on the camera screen — where a quick look
will confirm or infirm your exposure. Really your best friend.
Cool, thank you.
So do you have it showing on your photo preview screen?
Zach Mosher wrote: So do you have it showing on your photo preview screen?
The Canon EOS R100 is an entry-level mirrorless camera introduced in 2023. But just because it’s an entry-level camera doesn’t mean it’s a bare-bones camera. Find out why in this review!
Nikon’s retro-looking Nikon Zfc is anything but retro. Under its classic body is a host of features and amenities that make it a worthwhile compact mirrorless camera for 2024.
The Canon EOS R50 is one of the newest R-system cameras from Canon. Is it worth your money? Find out all the details you need to know in this comprehensive review.
The Sony FE 70-200mm f/2.8 GM OSS II is Sony’s flagship mirrorless zoom lens. As such, it’s loaded with features and has a top-shelf build quality that makes it a top pick!
The Canon EOS R100 is an entry-level mirrorless camera introduced in 2023. But just because it’s an entry-level camera doesn’t mean it’s a bare-bones camera. Find out why in this review!
Are you ready to upgrade your camera? Before buying new, you might consider the value of purchasing used gear to save money.
The Olympus OM-D E-M10 Mark IV is a micro four thirds camera released in 2020. It’s an entry-level system along with the OM-D E-M5 Mark III. Use this guide to determine which one is best for you!
Blue hour photography might not be as well known as golden hour photography, but it is every bit as good a time to create epic images of landscapes. Learn how in this quick tutorial!
Nikon’s retro-looking Nikon Zfc is anything but retro. Under its classic body is a host of features and amenities that make it a worthwhile compact mirrorless camera for 2024.
Moving from taking snapshots of your dog to creating beautiful images doesn’t have to be that difficult! Use the tips outlined in this dog photography guide, and you’ll get better results in no time.
Acrylic print photos are a beautiful way to display your favorite images. But they don’t come without some questions. Get all the answers you need about this medium in this guide!
Where do you get your landscape photography inspiration? Is it from masters like Ansel Adams? Or perhaps viewing art from other genres? We’ve got these and a few other sources for you to check out!