Focus Camera, Photography Articles

3 Mirrorless Cameras That Have Photographers Excited in 2017

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There's no mistaking that digital photography is increasingly heading toward mirrorless cameras.

Now, I don't mean to imply that I think DSLRs are dead. They aren't even dying.

But there are more and more mirrorless cameras coming into the market, with increasingly incredible capabilities.

I love my Nikon D810, but I also love my Sony a7R II.

Going mirrorless means I can travel lean and mean. The smaller camera body is lighter and easier to maneuver, making it simpler for me to carry when I just want to get out in the great outdoors and snap away. There are other benefits too.

But now more than ever, the question becomes, what mirrorless camera should I go for?

Here's three models that have me (and plenty of other photographers) excited for what's happening in the mirrorless market this year.

Panasonic GH5

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Essential Specs:

  • 20-megapixel four-thirds sensor
  • Advanced autofocus with autofocus point joystick
  • In-body five-axis image stabilization
  • 9fps continuous shooting
  • 4K video
  • Wi-Fi, Bluetooth, and NFC

When it comes to stellar still images and high-resolution video, it's tough to beat Panasonic's new GH5 mirrorless camera.

The 20.3-megapixel sensor has surprisingly good resolution with details that are sharp and crisp (thanks in part to the absence of a low-pass filter). And with full 4K video capabilities at 30 or 60 frames per second in-body image stabilization that ensures incredibly smooth video, you can seamlessly expand your horizons into the realm of videography too.

See the GH5 in action in the video below from The Slanted Lens:

Unlike some mirrorless cameras that lack in the lens selection department, the GH5 is compatible with a wide range of Lumix glass as well as lenses from Leica. That means you won't be left wanting for a quality lens to pair with your new camera.

You can take the GH5 virtually anywhere, too, because it has a die cast magnesium alloy frame that's both durable and lightweight. Even better, it's freezeproof to -10 degrees Fahrenheit and has weather sealing in every joint. It's dials and buttons are dustproof and splashproof as well, making this little thing a true warrior in the field.

In other words, there's a lot to love about the Panasonic GH5, especially if you want something that'll stand up to some abuse and still get you stunning photo and video quality.

Sony a7R III

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Essential Specs:

  • 42-megapixel sensor
  • 399 phase-detect autofocus points 99 cross-type points
  • Advanced image stabilization
  • 10fps continuous shooting
  • 4K video up to 60fps

Rumor has it that the impeccable Sony a7R II pictured above will get an upgrade this year to the a7R III.

Of course, at this point, this is all rumors as Sony has yet to confirm that the a7R III will indeed be released anytime soon.

But from what the rumor mill is saying, this will be yet another mind-blowing product from Sony.

Not only will it have an image-stabilized 42-megapixel sensor with 6K still photo mode, but it will also have 4K video capabilities at 60fps.

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Insiders agree that Sony will likely upgrade the live view capabilities on the a7R III too, offering better and faster performance.

It won't be a slouch in the low-light shooting department, either, with a rumored ISO range of 50-256000.

Whether you shoot stills or video, the 399 autofocus points will help the camera acquire and retain focus on the subject, getting you sharper images each time.

Granted, these specs have no basis on anything official, so we'll just have to see how close they are once the camera is released. But if the specs are anything close to what I've described above, I might be in line on day one to get one of my own!

Sony a9

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Essential Specs:

  • 24-megapixel CMOS sensor
  • 693-point autofocus system
  • In-body five-axis image stabilization
  • Max shutter speed of 1/32,000 seconds
  • 20fps continuous shooting
  • Full frame 4K video

Sony has built a reputation for pushing the envelope with its mirrorless cameras, and its new flagship Sony a9 is certainly no exception.

Let's review just a few of its specs...

It has the world's first full frame stacked CMOS sensor, which at 24.2-megapixels offers excellent image resolution.

The focal plane, phase-detect autofocus system sports a whopping 693 points and is capable of making 60 AF/AE calculations per second to track moving subjects.

With in-body image stabilization, you get up to five additional stops of shutter speed, which, by the way, has a maximum speed of 1/32,000 seconds.

And that's just the start! Get more details on the Sony a9 in the video below by Tony and Chelsea Northrup:

The a9 has dual SD card slots, one of which has UHS-II card support. The battery - which, let's be honest, has not been good in previous models - has double the capacity. You can also add a battery grip to hold two of these better batteries for much longer photo shoots.

There's an AF joystick, as well as an AF mode dial that is highly customizable to suit your needs.

In other words, the Sony a9 doesn't just have incredible features for a mirrorless camera. It has incredible features that take on even top-flight DSLRs like the Canon EOS 1D X Mark II and the Nikon D5.

Bringing It All Together

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Not all of us have the budget to buy a brand new mirrorless camera, especially one that's literally just come on the market.

Nevertheless, these cameras from Panasonic and Sony should get you excited for what's to come later this year and in the coming years as camera manufacturers continue to expand features and functions on their cameras. What's more, if you know where to look, you can find great deals on cameras of all types and sorts.

I remember starting out on an old 35mm film camera from the 1970s. Now I have cameras that shoot 4K video, have incredible autofocus systems, use in-body stabilization, include Wi-Fi, NFC, and a host of other crazy modern features.

If these three mirrorless cameras tell us anything, it's that we can expect cameras - mirrorless and otherwise - to continue to impress.



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5 of the Best Budget-Friendly Portrait Lenses

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Not everyone has thousands of dollars lying around to spend on a top-end portrait lens.

Fortunately, you don't have to bust your budget to get a lens that will help you take sharp portraits with good colors, minimal vignetting, and great bokeh.

Now more than ever, there are plenty of budget-friendly portrait lenses on the market with something to fit virtually any budget and any camera system.

In fact, the selection is so wide that it can get a little overwhelming even just knowing where to start.

Let's have a look at five best portrait lenses that will leave you happy with your photos and your pocketbook happy with the budget!

Canon 50mm f/1.4 USM

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A 50mm lens is great for portraiture because of the pleasing angle of view it offers on full frame cameras.

If you shoot on a crop sensor camera, you'll get an effective focal length of 80mm, which is wonderful for portraits because it allows you to frame up-close shots as well as get larger views for environmental portraiture too.

The Canon 50mm f/1.4 offers excellent sharpness of subjects with beautiful bokeh-filled backgrounds.

What's more, the lens is small, compact, and lightweight, so you can shoot for long periods of time without experiencing fatigue, and you can add it to your camera bag without adding tons of weight.

If you want a more budget-friendly option, give the Canon 50mm f/1.8 a try. It doesn't produce the same level of detail and clarity, but as far as budget lenses go, it's hard to beat the results you get for the price.

See a side-by-side comparison of the two Canon 50mm lenses in the video above by Weekly Imogen.

Nikon AF-S Nikkor 50mm f/1.8 G

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Nikon shooters have an equally capable 50mm portrait lens option available to them in the AF-S Nikkor 50mm f/1.8 G lens.

Like the Canon, the Nikon lens is also quite affordable but sports plenty of features too. With top-notch optics, you can expect images that have nice sharpness from corner to corner.

Though the f/1.8 aperture isn't as wide as the Canon f/1.4 lens, it's still more than enough to collect light for low-light shooting and getting up close to your subject to create dreamy bokeh-filled backgrounds.

Besides, if you fancy an upgrade, you can opt for the f/1.4 version of this lens without breaking the bank. See the differences between the two in the video below by DigitalRev TV:

As a bonus, both of these lenses work on FX and DX format Nikon cameras, giving you some room to grow if you have designs on upgrading your camera in the future.

And though both are pricier than their Canon counterparts, they still represent excellent value, particularly if you're just starting out in portraiture and want something that's got great image quality for a budget price.

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Sony NEX 50mm f/1.8 OSS

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Not to leave Sony shooters out in the cold, even though Sony products tend to be pricier, their NEX 50mm f/1.8 OSS lens is quite reasonably priced.

Built for Sony E-mount cameras, this f/1.8 lens obviously gives you plenty of latitude for shooting portraits in the daytime or in low-light conditions with a maximum aperture of f/1.8.

The images created with this lens are impeccably sharp. There is very little vignetting or distortion, even when shooting wide open. Like its Canon and Nikon counterparts, the bokeh produced by this lens is smooth and pleasing to the eye, just what you want for portraits!

Get a hands-on review of this lens in the video below by John Sison:

With an Optical SteadyShot (OSS) image stabilization, you get sharper, clearer images, even when shooting handheld.

And speaking of shooting handheld, as you can see in the video above, when mounted to a NEX system camera, this lens is incredibly easy to use, bearing a compact form factor and lightweight construction.

The autofocus on this lens is exceptionally quiet and fast as well, giving you wider latitude for taking portraits in quiet environments or of subjects that are on the move.

Tamron SP 90mm f/2.8 DI Macro Lens for Canon EOS

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Another reasonable portrait lens option for Canon shooters is from Tamron.

Their SP 90mm f/2.8 macro lens offers superb sharpness throughout its aperture range that extends from f/2.8 to f/32.

If you haven't considered a macro lens for portraiture, this one will change your mind as it enables you to get extraordinarily close to your subjects while still offering the option of stepping back for upper body or full body portraits.

As part of Tamron's super performance line, this lens benefits from professional-grade construction and optics, but without the price tag that such build-quality would necessitate with a Canon or Nikon lens.

And though it's a bit larger than the 50mm lenses that precede it on our list, it's still a very reasonably-sized lens that you can easily manipulate without getting arm fatigue.

Sigma 17-50mm f/2.8 EX DC OS HSM Zoom Lens for Nikon APS-C Systems

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Not all good budget portrait lenses are primes like the previous four on our list.

For Nikon shooters with a crop sensor camera, Sigma's 17-50mm f/2.8 lens might not have as big of a maximum aperture as the other lenses above, but at f/2.8, you can still get good results in low-light situations and bokeh that's plenty good enough for portraits.

The advantage of a zoom lens is that you can use it to frame tighter shots on your subject without having to move around a lot.

What's more, the 17mm wide-angle end (which has an effective focal length of about 26mm) is great for capturing group shots while the long end of the zoom at 50mm (effective focal length of 75mm) gets you into the short telephoto realm for up-close portraits.

But don't worry if you're a Canon shooter. This lens is available for Canon cameras as well. Check it out in the video above by ZY Productions.

No matter if you use a Nikon or Canon camera, this Sigma zoom lens is a great - if not unique - option for portraiture. But because it's a zoom on the wide to standard angle of view, you can use it for other purposes as well, like landscape photography.

When talking about investing in a good lens on a budget, that sort of versatility is nice.

But the prime lenses discussed earlier also offer versatility...

A 50mm lens can be used for anything from portraiture to landscapes to street photography and everything in between. And, naturally, the Tamron 90mm macro lens reviewed earlier will allow you to get into macro photography in addition to portraiture.

Now it's just a matter of deciding which of these lenses works best for you and finding a great deal on one to add to your kit.



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7 Facts You Need to Know about the Canon EOS 80D

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Canon has a long and storied history of making highly capable DSLR cameras for all segments of the market.

That's true for beginner cameras, professional rigs, and mid-range bodies like the Canon 80D.

Released in February 2016, the Canon EOS 80D succeeded the highly popular (and well-reviewed) EOS 70D.

In the last year-plus, the EOS 80D has gained a solid reputation as well, thanks to some holdovers from the 70D as well as some fancy new features that make it an even more capable camera for enthusiast photographers.

Let's have a look at seven facts about this rig that make it such a good camera.

It's Got a Sony-Fighting Sensor

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Canon shooters have had a beef with the company for years now...

In the face of companies like Sony leading the charge in the area of sensor development, Canon owners wondered when they would start to see more sophisticated sensors.

The EOS 80D delivers on that front.

The 24-megapixel APS-C sensor has Dual Pixel AF technology, which means it not only take clearer, sharper, and more resolute photos than its predecessor, but it can also continuously focus during still capture and video capture as well.

Add to that the fact that this sensor can achieve a greater dynamic range than the upper-tier Canon EOS 7D Mark II, and you have the makings of an excellent sensor that's worthy of bringing the fight to Sony.

It's Fast

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Under the hood, the EOS 80D sports Canon's DIGIC 6 Image Processor. That means a couple of things.

First, the processor provides top-notch image quality, especially when paired with the excellent sensor discussed above.

In fact, the processor improves the camera's low-light sensitivity, meaning you can take higher-resolution photos with less noise when you take photos in poor lighting.

Second, the DIGIC 6 processor means this camera is fast.

You can shoot longer in continuous mode without encountering buffering issues than in previous Canon camera models.

What's more, the DIGIC 6 processor allows for improved video shooting with easier playback on mobile devices.

It's Got a Capable Autofocus System

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The EOS 80D's predecessor, the EOS 70D, came with a 19-point autofocus system that has performed admirably over the years.

But with newer cameras having increasingly sophisticated autofocus systems, Canon needed to give their enthusiast-level camera more to work with.

The result is a 45-point hybrid autofocus system with all cross-type points in the EOS 80D

Granted, this system isn't as expansive or as advanced as the 65-point autofocus system in Canon's pro cameras (i.e. the 7D Mark II). But the EOS 80D's autofocus system is nonetheless fast, accurate, and offers good performance for enthusiast photographers.

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There's Modern Functionalities

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The EOS 80D is a fully modern camera with wireless technology built right in.

On the one hand, it has Wi-Fi and NFC that allow for quick sharing and transfer of images.

On the other hand, that connectivity means Canon could incorporate their Canon Camera Connect feature, which allows you to control your camera wirelessly via a smartphone app.

For example, you can change the focus, fire the shutter, and change exposure settings, all from your phone.

You can also shoot remotely, review your images, and save your photos right from your camera to your phone too.

Not only does that make shooting more convenient, but it makes shooting more productive.

Flickering Lights? No Problem

When shooting indoors, light flicker can cause issues in the presentation of color as well as exposure. This is especially noticeable when in continuous shooting mode in low-light situations.

However, the EOS 80D corrects for that problem with an anti-flicker shooting function.

Essentially, the camera compensates for irregular light sources by only taking shots when those light sources are at their peak volume.

That gives you more light to capture the shot, which, in turn, results in a photo that has better color rendition and exposure.

See this and other features in action in the video above from Canon.

The Screen is Excellent

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Fixed, low-resolution LCDs are so last decade...

The EOS 80D sports a new 3-inch vari-angle touchscreen that has up to 270-degrees of vertical rotation and up to 175-degrees of horizontal rotation.

That means you can capture images from far more angles and perspectives than before, but without contorting your body into uncomfortable positions to do so.

What's more, the screen is touch-enabled, so you can operate the camera much like you operate your smartphone - change settings with a single touch of your finger or use two-finger gestures to zoom in on an image or to swipe for the next image in the sequence.

And with 1.04 million dots of resolution, the display is clear and bright. Canon even thought to make it smudge-resistant, that way when you're shooting in live view you're more likely to see what you're shooting rather than a bunch of smudges.

It's Got Built-In Creative Features

Photography is all about being more creative and expanding your boundaries, and the EOS 80D allows you to do both.

With HDR capabilities, you can get an improved dynamic range in your photos and your videos.

For example, when shooting video, the camera captures two video frames at different exposures, that way when the video is played back, it has a better range between shadows and highlights.

Also built-in is a timelapse video feature that allows you to create scenes that show the movement of clouds, people, cars, and the like in beautiful quality, like the one seen above.

And for Instagram enthusiasts, the EOS 80D has seven creative filters that help you change the visual impact of your images.

From a grainy black and white look to a water painting effect to soft focus, the camera offers you the capability of adding artistic flair to your images (and videos) right there in-camera.

Final Thoughts

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If you're an enthusiast photographer and a Canon shooter on the lookout for a more capable camera, it's hard not to consider the EOS 80D.

As a newer arrival to the Canon lineup, it has the modern functions and features that most shooters look for (albeit, without 4K video).

The sensor is excellent, as is the processor, and the two combined give you great performance for capturing stills and videos.

The autofocus system is much-improved as well, giving you a greater ability to capture moving subjects.

Add in modern features like Wi-Fi, NFC, in-camera timelapse capabilities, anti-flicker shooting, and an articulating touchscreen, and you have the makings of a very solid camera that will please even the most discerning mid-range shooters.

You can even find the EOS 80D bundled with all sorts of things like a lens, flash, memory cards, and other goodies, making it an even more excellent buy!



We Recommend


Composition Tips for GoPro Photography

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Though GoPros are best known for being the go-to action camera for adventure enthusiasts, there are many more uses for GoPros, especially in the realm of photography.

They can be used to take portraits, photograph landscapes, capture views of a city, and more.

That being the case, before you take your GoPro out and start taking photos, it's best to learn how to master composition.

Below, I've outlines some photography composition tips you can't miss when learning how to use a GoPro.

Consider the Framing

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Nothing ruins a photo like messing up the framing.

That is, you might have an otherwise fine photo, but if you don't pay attention to things like whether the horizon is level or if there's tree branches protruding into the shot, you run the risk of diminishing the quality of the image.

When shooting photos with a GoPro, use the screen on the back of the camera to check your composition and framing.

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Sure, a GoPro screen isn't as big as what you'll find on a DSLR, but it's still incredibly useful for framing up better shots. That's especially true of the GoPro Hero 6 Black, which has a two-inch touchscreen to make operating the camera much easier.

Pay attention to little details, too - like the horizon and branches I mentioned above - to ensure that everything is spot on.

Also play around with perspective and shoot from above and below eye level to add a little bit more interest to your photos.

Editor's Tip: Looking for a little more adventure with your GoPro? Consider upgrading to a GoPro Hero 6 Black Outdoor Adventure Bundle.

Seek Out the Best Light

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Like any camera, a GoPro benefits from having great light to produce better photos.

The best light of the day occurs near sunrise and sunset, a time period photographers like to call Golden Hour.

What's great about Golden Hour is that the sunlight is much softer than it is during mid-day.

What's more, the light has a distinct yellow hue, whereas mid-day light is much cooler with a blue hue to it.

Whether you're photographing landscapes, taking someone's portrait, or something in between, Golden Hour will make your GoPro photos stand out and look much more dramatic.

Learn More:

Plan Your Shots

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This tip seems like a no brainer, yet so many photographers just "spray and pray," firing off as many photos as they can rather than actually planning out their images.

By spending a couple of minutes - heck, sometimes just a couple of seconds - planning your photos, you all but guarantee that you get a better result.

As noted earlier, you can focus on the composition, ensure the framing is spot on, find the right angle from which to shoot, and so forth.

When you don't take time to plan your photos, you often end up with images like the one above.

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But when you think about what you're doing and put a little effort into planning, you can get a much better result, as shown above.

And when you utilize all the features that something like the GoPro Hero 6 Black has to offer, planning your shots becomes easier.

For instance, you can use its voice-control function to turn the GoPro on or off, start or stop a time lapse video, shoot a burst of photos or a single photo, and start or stop recording.

That's a handy feature when you're trying to take a selfie or want to be in a group shot!

Editor's Tip: Does your desire for adventure photography take you to the sun and surf? Get epic photos and videos of your water adventures with the GoPro Hero 6 Black Surfer and Water Adventure Bundle.

Strive for Originality

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There's a lot of incredible GoPro footage and amazing GoPro photos out there to inspire your creativity.

And while you can certainly take inspiration from what's already been done, it's important to find your own voice and create images and videos that are truly your own.

The great thing about a GoPro is that it makes the pursuit of those unique expressions of yourself vastly easier.

I mean, it's not like it's a big, heavy camera that'll weigh you down or anything...

And since it's waterproof, you don't even have to stay on land to get breathtaking photos!

The point is, GoPros were built for adventure, so grab your gear, head out, and have an epic adventure that's all your own.

Learn More:



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Demystified: Camera Sensor Sizes Explained

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Camera Sensor Size Guide

We have at our disposal more types and sizes of cameras today than ever before.

And with that variety comes plenty of different options...

That includes sensor sizes, which range from tiny 1-inch sensors in things like compact cameras to full frame sensors in high-end cameras like the Nikon D810.

But with all that variety can come a little bit of confusion about sensor size, what that means for your photography, and what that means for your pocketbook too.

In a nutshell, the smaller the camera, the smaller the sensor. For example, you won't find a full frame sensor in a smartphone.

By the same token, you won't find a 1-inch sensor in a full frame camera, either...

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So, the better the camera, the better the sensor. And because the sensor is the most expensive part of the "guts" of the camera, the bigger the sensor, the bigger the price tag.

This isn't to say that smaller sensors can't produce excellent results. In fact, smartphones, micro-four thirds cameras, and crop sensor DSLRs have arguably the best sensors they've ever had. That's put them on a more level playing field with larger and more expensive full frame sensors.

Of course, this might all sound like gibberish if you don't know what a micro four-thirds or a crop sensor DSLR even means...

Let's review the most common types of camera sensors.

Full Frame Sensors

The largest kind of camera sensor for consumer and professional cameras is a full frame, which is named as such because it's roughly the same size as a 35mm negative.

DSLRs like the Canon 5D Mark IV and the Nikon D610, and mirrorless cameras like the Sony Alpha a7s II (shown above) have full frame sensors that make them excellent enthusiast and professional rigs.

Why?

Full frame sensors offer a few benefits over smaller sensors.

First, they have more surface area, which allows them to have larger pixels that result in higher resolution images. Though some full frame cameras only have 20-something megapixels, others, like the Canon 5DSR shown below have more than 50-megapixels.

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Second, that surface area also means that a full frame sensor can collect more light, making them ideal for low-light shooting situations.

Lastly, full frame sensors don't have a crop factor.

That means that if you buy a 50mm lens for your camera, the lens will operate at 50mm. On other cameras, the effective focal length will vary (more on that later).

Pro: Great resolution and low-light capabilities

Con: Expense. Full frame sensor cameras are typically the most expensive

Best for: Enthusiast and professional photographers

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APS-C Sensors

By far, the most common type of camera sensor for DSLR and mirrorless cameras is the APS-C sensor.

These sensors come in a variety of sizes, meaning, depending on the manufacturer, the sensor will have a different crop factor.

Crop factor determines the effective focal length of the lens you're using.

For example, Canon APS-C sensors have a crop factor of 1.6x, so if you use a 50mm lens on a Canon APS-C camera like the EOS Rebel T6i, the lens will have an effective focal length of 80mm.

However, Nikon APS-C cameras like the D7200 shown below have a crop factor of 1.6x, so that same 50mm lens will have an effective focal length of 75mm.

That's a feature that many photographers - especially those that work in wildlife and sports photography - really like because they can get closer to the action with a shorter lens.

Aside from impacting the effective focal length, APS-C sensors are smaller than full frame sensors.

Since there's less room required to fit the sensor into the camera body, these cameras are smaller, more compact, and lighter weight. That's a big advantage for many photographers, especially beginners.

Pro: Portability and price

Con: Resolution and low-light performance aren't quite on par with full frame sensors

Best for: Beginner and intermediate photographers

Micro Four-Thirds Sensors

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Micro four-thirds sensors represent sort of a middle ground of sensors.

They are smaller than the APS-C sensors described above but larger than the 1-inch sensors described below.

Usually, micro four-thirds sensors are roughly one-fourth the size of the full frame sensors described earlier.

As a result, they have a significant crop factor of around 2x. That means if you use a 50mm lens, you'll have an effective focal length of 100mm.

Typically, these sensors are found on compact system cameras from Panasonic and Olympus, like the Panasonic DMC-G7 mirrorless camera above, which is a solid mid-range camera, and the Olympus OM-D E-M1 Mark II shown below, which is a high-end mirrorless camera more suited to enthusiast shooters.

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One advantage of the micro four-thirds system is cross-brand lens compatibility. That is, a Panasonic lens might work on an Olympus body and vice versa. That's not the case with full frame and APS-C systems.

Additionally, because these sensors are smaller still, that means that cameras with these sensors are even smaller and lighter than DSLRs. That smaller form factor doesn't mean diminished performance, either.

In fact, many micro four-thirds cameras have image quality that is as good (and in some cases, better) than that which you find with an APS-C sensor.

Pro: Excellent performance in a small package

Con: Because the sensor is quite small, low-light performance suffers

Best for: Travel photography and other applications where shooting fast and light is important

1-Inch Sensors

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In recent years, 1-inch sensors have enjoyed a lot of popularity and innovation as camera manufacturers have made it a point to pack a lot of punch into smaller sensors.

These sensors are typically found in point-and-shoot and compact cameras like the Canon PowerShot G7 X II and the Sony RX 100.

Cameras with these sensors more or less provide good quality images, though some have reduced sensor resolution than what you can get with the other sensors described above.

That being said, cameras with 1-inch sensors are small and compact, making them incredibly easy to carry - small enough, in fact, to put in your pocket.

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Lenses for these cameras are usually fixed, meaning the cameras are not compatible with various lenses.

However, the lens often have a wide range of focal lengths, like 24-70mm, so you have plenty of versatility.

Pro: 1-inch sensor cameras are highly portable

Con: Functionality can be limited due to the small sensor size

Best for: Casual shooting

Final Thoughts

There are other types of sensors out there - medium format, APS-H, and 1/2.3-inch among them. However, those types of sensors are much less common in the beginner and intermediate camera market.

Though other factors are at play when making a decision on a new camera, having an understanding of sensor size and how it impacts your photography is certainly a good thing.

For most beginner photographers, an APS-C sensor camera is likely the best choice, as they offer excellent performance in a smaller camera body than a full frame sensor.

But this is just a generalization. Based on your specific needs and wants, a 1-inch sensor might be the best for you or a micro four-thirds sensor might make the most sense.

What's important is that you do your due diligence, research possible cameras based on your specific needs, and buy the camera from a reputable retailer so you're sure you get a good deal with service after the sale.

Get the process started by checking out the video above by PhotoRecTV, in which they break down the differences between sensor sizes.



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Did Sony Get It Right With the a6500?

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I'll be the first to say that I'm a huge fan of Sony.

They have come on strong in recent years as one of the best manufacturers of enthusiast and pro-level cameras.

Beyond that, I think you'd find very few people to argue with the claim that they are the undisputed leader in the mirrorless camera market today.

That's an important distinction, because I, for one, think that photography is heading more and more toward mirrorless, and Sony has laid the foundation for reaping the benefits of that continuing shift.

One of their latest cameras, the Sony a6500 is a mirrorless APS-C camera they hope will help them continue to dominate the mirrorless market.

The question is, were they successful?

a6500 Specs

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Before we answer the "did they get it right" question, let's review the essential features of this camera:

  • 24.2MP APS-C Exmor CMOS Sensor
  • BIONZ X Image Processor
  • 425 phase detection points
  • SteadyShot INSIDE 5-Axis Stabilization
  • 1/4000 second maximum shutter speed
  • 11 fps continuous shooting for up to 300 JPEGs or 100 Raws
  • Internal UHD 4K Video & S-Log3 Gamma
  • XGA Tru-Finder 2.36M-dot OLED electronic viewfinder
  • 3.0" 921.6k-Dot Tilting Touchscreen LCD
  • Built-In Wi-Fi with NFC

If a lot of those specifications look familiar, it's because they are: the a6500 shares many of its pieces and parts with the a6300, it's lower-tier, yet still quite incredible sister camera that was released a mere eight months before the a6500.

Both the a6300 and a6500 feature the same sensor, the same viewfinder, the same autofocus system, the same 11fps burst rate, and the same video capabilities.

However, the a6500 has a few tricks up its sleeve that make it a definite upgrade over the a6300. See some of its features in action in the video below from TheCameraStoreTV:

Where the a6300 can only muster 44 JPEGs and 21 RAW files when shooting at full 11 fps with autofocus and autoexposure enabled, the a6500 can manage 300 JPEGs or 100 RAWs. That's thanks to an improved buffer with a Large Scale Integration (LSI) system that gives the a6500 more processing power.

Additionally, the a6500 introduces instant image review of the last image written to the memory card. That means you can also check the focus on that image, even while the camera is still writing to the card. That's a feature that is annoyingly absent on the a6300.

Another handy feature of the a6500 is the new shutter mechanism that's more durable and includes 5-axis image stabilization. The new shutter also means the a6500 has improved video performance over the a6300.

Perhaps the biggest improvement is in the LCD. The a6500 comes with a touchscreen that, while it's the same resolution as the non-touchscreen version on the a6300, gives you the power to select autofocus points by just touching the screen. Even better, you can actually move an autofocus point by dragging it around on the screen, much like you would with your finger to the trackpad on a laptop.

The touch screen also enables you to swipe through images during playback, and you can double-tap the screen to zoom in.

The a6500 also benefits from usability changes that make it easier to use than the a6300. First, the a6500 incorporates the C2 and C1 custom buttons up top, much like the Sony a7. The a6500 has a redesigned grip that's a bit bigger than the a6300, and much more like the a7 Mark II. That means you can more easily and comfortably shoot with longer or bulkier lenses.

THE Pros

The touch screen

We live in a world of smartphones and tablets, and as a result, we are becoming more and more attuned to making things happen by tapping or swiping a screen. Adding that kind of functionality to the a6500 was a no-brainer.

Perhaps the best benefit of the touch screen is for video shooters: you can focus pull by tapping the screen to change the focus point, which engages a rack focus. Again, with such an emphasis on cameras having top-shelf video capabilities, Sony was smart to include this functionality.

Check out the a6500's touch screen in action in the video above. Photographer Jason Lanier puts it through its paces and gives his report on its effectiveness and functionality.

The Menu System

If you've used a Sony a99 II before, you'll recognize that its menu system is implemented in the a6500. That means a more user-friendly experience than what is found on the a6300. The menu tabs are color-coded, and functions of a similar purpose are grouped together. Finding the setting you need is much easier and faster, so you can spend more time actually shooting photos or video and less time navigating through endless menus to find whatever setting you need.

Size & Build

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Like the a6300, the a6500 has an excellent form factor. The camera is gorgeously small and easy to handle - something that's made better by the new, larger grip. The lens mount has been beefed up for a more stable feel, and the magnesium alloy body (which is dust and moisture resistant) looks great and feels rock solid in your hand. The placement of the buttons is intuitive, and they are easily accessible, even when you've got the camera raised to your eye.

Image Quality

Even though the a6500 doesn't really improve on the image quality of the a6300, it's still a stellar camera when it comes to the details it can capture in JPEG or RAW. Images are sharp and clear, even at high ISO output. In fact, the a6500 is one of the premier APS-C cameras when it comes to image quality when shooting at a high ISO, making it a top choice for shooters that often work in low-light conditions.

The Cons

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Though the touch screen is certainly a welcome feature, one thing that doesn't quite meet expectations is the autofocus point selection process. When in touchpad mode, AF point selection is relative, meaning, you have to swipe your finger across the screen to move the point away from its current position, rather than simply touching the screen to place it precisely where you'd like it.

That means there are times when you have to repeatedly swipe the screen to move the AF point from one position to the next. This is due, in part, to sluggish touchpad performance that I'm willing to bet Sony will address in the next version of this camera line.

Video Issues

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If you're a video shooter, you won't appreciate the fact that Lock-On AF is not available in video mode. That means that even if you lock focus on the subject, the camera will struggle to maintain that focus as the subject moves around the frame. Again, I'd be shocked if this isn't a feature on the next iteration of this camera.

A bigger issue is the continuation of rolling shutter issues when shooting in 4K. This is a problem with the a6300, and it's curious why Sony didn't make an effort to rectify that situation. A smaller complaint is that this camera doesn't have a headphone monitoring port. That would be nice for a camera that is sure to be used extensively by videographers.

No Front Control Dial

A problem from the a6300 that carries over to the a6500 is that there is no front control dial. This isn't just an issue from a usability standpoint, either. Every one of the a6500's competitors has dual control dials, making them, at least in this regard, a more user-friendly camera.

Battery Life

Mirrorless cameras are notorious for having a less-than-desirable battery life, and the a6500 is no exception. Compounding the issue is that it actually has worse battery performance than its predecessor. That's likely due in large part to the touch screen, but nevertheless, worse battery life is not a feature anyone is looking for.

The Verdict

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In the end, the changes the a6500 brings to the table over the a6300 aren't earth-shattering by any means, but they certainly improve its functionality and usability for many photo and video shooters.

The better buffer and improved shutter mechanism will surely be a draw for shooters that need to capture long bursts. The 5-axis image stabilization is a nice feature for shooters that need to go without a tripod. The touch screen and revised menu systems are nice upgrades for shooters of all needs and ability levels as they make the a6500 a much more user-friendly experience.

Likely what it will come down to is whether the additional $500 for the a6500 is worth it. The a6300 is no slouch and produces stills and videos that are of superb quality. That same quality is found in the a6500.

In the end, the a6500 isn't a perfect camera. However, the minor improvements seen in the a6500 improve upon the already excellent a6300, making it a great buy. It's a capable, refined, and impossibly small camera with incredible functionalities that make it one of the best high-end mirrorless APS-C cameras available today.



We Recommend


DSLR vs. Mirrorless Cameras: The 10 Crucial Things You Need to Understand

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Mirrorless VS DSLR Cameras

If you’re a photography lover or a professional looking around the market for a new camera, or perhaps an entirely different system, here’s one question you can’t dance around: DSLR or mirrorless?

A few years ago, this wouldn’t even have been a question, at least not one that would have been taken seriously by photographers with a certain level of expectations.

But mirrorless cameras have become so good that they’re attracting more and more photographers of all levels. It’s not uncommon to see professionals using mirrorless cameras for commercial shoots, weddings, and studio work. 

So what is it exactly about these smaller, fully electronic cameras that have put such enormous pressure on the DSLR market?

We’ve asked ourselves the same question, and after thorough research and comparisons, we divided the answer into 11 parts that clearly explain the most important differences in how both types of cameras work and perform.

It is very important to keep in mind that even though part of the technology inside them is very different, the basic working principles remain the same.

Let’s dive into it and see if mirrorless cameras are just as good as or better than DSLRS.

Size, Weight & Construction

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The physical differences between these two camera types are fundamental, yet ironically the gap is no longer as big as it used to be.

Everybody knows what a DSLR looks and feels like. Even some of the entry-level models can be a bit bulky, especially if you put a more expensive lens on.

Despite all the small bodies designed for home use and family vacations, the DSLR is still regarded as a big, heavy piece of equipment. A lot of people hate that because they would rather build healthy biceps at the gym instead of shooting, but there are also plenty of photographers who completely dislike the idea of small cameras in their hands.

This is why mirrorless cameras first started getting attention.

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Small, lightweight bodies packed with cool features were an instant hit. Panasonic and Olympus adapted the M4/3 format for their cameras, while Sony went for APS-C chips in their small mirrorless bodies.

Usually, the cameras are half the size and weight of a normal DSLR, and as you would expect, so are a lot of the lenses. But ironically, higher end mirrorless cameras have become bigger and heavier - almost DSLR-like - and you can best see this in Sony’s second generation of the A7 family.

This is said to be the result of photographers wanting larger grips. Overall, though, mirrorless systems are smaller even though the differences are not as visible in newer models.

Viewfinders: Optical vs. Electronic

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In terms of operation, this is clearly the biggest difference in actual use.

All DSLRs have an optical viewfinder based on the same design that goes back to the first film SLRs. The term says it all. SLR stands for Single Lens Reflex, and obviously, the “D” is for digital.

Optical viewfinders let you see through the camera lens via a system of mirrors and prisms. All professional DSLRs have a coverage of 100%, while many amateur and enthusiast models have a coverage of approximately 95%.

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As the name clearly suggests, mirrorless cameras have completely taken out this optical assembly and thus rely on a fully electronic viewfinder.

Earlier models had their drawbacks, and it was pretty common to see laggy units with a lot of noise.

But the newer models have eliminated these issues completely, and cameras like the Sony A7R II offer a very enjoyable viewing experience. Electronic viewfinders are also capable of displaying more information like live histograms.

\At the end of the day it is a question of preference: If you’re a long-time DSLR user and you love optical framing, you might not be impressed by how natural electronic viewfinders can look. If you’re more used to framing on an LCD screen, mirrorless cameras could fit you like a glove.

Features

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It’s hard to point out a clear winner when it comes to features.

If you put each type of camera from the same class side by side, you will most likely find a similar set of features. Full manual controls, RAW shooting, and Wi-Fi are all on the table, and the fact that there is so little to differentiate them makes the decision ever harder.

Lenses

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Lenses are extremely important, and this one goes hands down to the DSLR system. 

Canon and Nikon have the widest range of lenses for their camera bodies. The idea that you can use a 50-year-old lens on a 2016 body without adapters is very appealing to some, but the greatest advantage of this wide range of choices is that you can find a good lens for every budget. 

Because mirrorless cameras haven’t been around for very long, the lens range of all major brands are growing actively. The M4/3 owners have the most options at this time with both Panasonic and Olympus lenses being compatible with their cameras. But Sony and Fuji are also gaining ground with some wonderful prime lenses.

Image Quality

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For most photographers, this is the one thing that matters most. No matter how big or small the camera is, image quality will often decide the outcome of the purchase.

Just a few years ago, making a decision based on image quality was easy: if you wanted top notch quality, you had to get a high-end DSLR. That is history now.

Mirrorless cameras use almost every sensor size you can think of, from 1-inch units to the exotic medium format Fuji GXF 50S. 

Image quality means brilliant colors and dynamic range, excellent sharpness, and great low light performance. Both types of cameras in the market today will deliver that.

Video

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When it comes to shooting video, the DSLR is widely recognized as the industry standard, but that’s because it got to the party before the mirrorless camera. Most professional filmmakers still use DSLRs, but again, this is quickly changing. 

Mirrorless cameras are better suited for video for several reasons.

They don’t need the optical viewfinder to start with, so from a design perspective, they’re easier to work with.

Landmark cameras such as the Panasonic GH4 and the Sony A7s have literally changed the entire industry and how professionals work with the introduction of affordable 4k and unprecedented low light performance. It took the DSLR longer to check these features, even though everyone’s still very familiar with the good ol' Canon 5D III. 

Battery Life

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Because mirrorless cameras are 100% electronic (with the exception of the mechanical shutter), power consumption is greater. DSLR batteries also tend to be larger in size and that gives them a longer life. If you plan on going for a mirrorless system, extra batteries are mandatory.

Autofocus

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Throughout the evolution of the DSLR, several AF systems have been implemented and perfected. As a result, DSLRs use high speed “phase-detection” systems that are very accurate and effective. But they only work when framing through the viewfinder because usually the system is located below the mirror and it has to remain down.

Live view autofocusing can be very slow on DSLRs, and that’s because they switch to a different contrast system which is much slower when the mirror is in the raised position.

Mirrorless cameras also have very fast hybrid AF systems, but this is mostly because the lenses are designed around the cameras.

It’s a lost battle for the mirrorless systems, though, at least at this point. Pro DSLR bodies like the Nikon D5 have insanely fast and accurate AF systems that partly justify the hefty price tags.

Fun

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The simple idea of fun is often overlooked when considering a new camera purchase.

How fun and easy a camera is to use will play a huge part in the overall shooting experience, and if you’re someone who loves photography with no strings attached, joy is important.

With that in mind, it very much depends on personal preference, but many will agree that DSLRs are still more enjoyable. 

The optical viewfinder has its charm, and the DSLR has now been around for long enough to weed out any major design flaws that would damage the user experience.

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Mirrorless cameras are getting there, but the low end of the market doesn’t even have a viewfinder, and it can sometimes feel like you’re using an ordinary compact camera.

Sure, there’s the other ends that should be mentioned. The A7RII’s electronic viewfinder is a gem that you could look through for hours. But until this will be the norm, user experience goes to the DSLR.

Price

If you want to get the best bang for the buck, and let’s face it, we all do, DSLRs are still the better option.

You just get more in a reasonably priced camera, whereas an entry-level mirrorless camera will very likely leave you wanting more and buying extra batteries.

Either way, if you're looking for a DSLR or a mirrorless body, lenses, or related accessories, there are excellent deals to be had from reputable retailers.

Conclusion

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No, the DSLR isn’t going anywhere, and we’re going to see some great cameras coming out in the next years. But, when it comes to market share, things are going to be a little (or a lot) more volatile. The future, and to some extent the present, belongs to the mirrorless camera. 

Technically they will most likely have similar abilities in the near future, and the ultimate argument that will tip the scale in favor of one or the other will simply be personal preference.

Having the same performance and features in two fundamentally different packages is just another great thing about loving photography.

Let us know which one you prefer - DSLR or mirrorless.



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Essential Camera Settings for GoPro Photography

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So, you have a GoPro. Now all you need to do is learn how to use it!

Though the settings you use will be different for each situation and the look you're going for, there are some essential camera settings that you need to learn no matter the situation.

In this guide, we explore some of the features on the GoPro HERO6 Black and outline the best settings for a few photography scenarios.

Let's get started!

GoPro HERO Features

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Whether you're after still photos or 4K video, the GoPro HERO6 Black is an ideal camera to use.

It's loaded with features that make taking photos and videos a much easier task, something that you'll appreciate when you're out adventuring with your camera.

GoPro Settings: JPEG vs RAW

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The GoPro HERO6 has both JPEG and RAW still image functionality. So what's the difference?

JPEG files are compressed, so they take up less room on a memory card. They're also immediately shareable and viewable.

The problem with compressed files is that some of the data collected by the camera's sensor is lost. That makes it more difficult to edit photos in post-processing.

That's the strength of RAW files, though.

RAW files retain all of the sensor's data, so robust post-processing opportunities await.

What's more, when edits are made to RAW files, a separate file is created, so the original remains unchanged.

RAW files are huge, though, so extra memory cards will be needed!

If space is at a premium, go with JPEG, but if you want more flexibility in editing, RAW is the way to go.

Editor's Tip: Ready to upgrade your GoPro Experience? Find great deals on GoPros.

HDR Photo

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HDR - high dynamic range - photos are a perfect solution when the scene you're photographing has a wide range of highlights and shadows.

If you find that the highlights in your photos are blown out and completely white with no detail, or, conversely, if you find that the shadows are too dark with no detail, the GoPro HERO6's HDR mode can help.

HDR combines several different exposures together to create a final composite image in which everything from bright highlights to dark shadows are properly exposed.

Each exposure is taken in rapid fashion and combined by the camera, so you literally just have to engage HDR mode and better photos await!

Protune

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Like its predecessor, the GoPro HERO6 Black offers Protune options that allow you to fine-tune the exposure and other settings of the camera.

For example, you can adjust the exposure compensation by +/- 2 stops, which allows you to brighten or darken the image as needed.

You can also adjust the color mode and the white balance settings to tailor how the images look, the minimum and maximum ISO values which helps determine how bright or dark the images are, and even the level of sharpness that's applied to the images.

Learn More:

Burst Mode

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Burst mode is exactly what it sounds like - depending on the setting you use, the GoPro will rapid-fire a burst of photos.

The HERO6 Black offers five different burst modes:

  • 30 photos that span 1, 2, 3, or 6 seconds
  • 10 photos that span 1, 2, or 3 seconds
  • 5 photos in 1 second
  • 3 photos in 1 second
  • Auto burst mode

The auto burst setting shoots up to 30 photos in one second, but only engages when the shutter speed is below 1/30 seconds.

In other words, auto burst mode prioritizes getting a good exposure over a specific number of frames, so depending on the light, you might get 30 photos in one second, 5 photos in one second, or somewhere in between.

Field of View

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The GoPro HERO6 Black has two field of view (FOV) options - wide, which is the default, and linear.

The wide field of view captures the classic GoPro fisheye look.

Linear mode, however, limits that distortion and helps create a more normal-looking image. 

Of course, this and the other settings outlined above just scratch the surface of the GoPro HERO6's capabilities.

You can zoom by using the touchscreen, lock the exposure, control the shutter speed, and various other things to customize how the camera performs.

Editor's Tip: Short on GoPro accessories? Get tripods, mounts, memory cards, and more for your GoPro.

GoPro HERO6 Settings for Photos

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With our quick overview of some of the GoPro HERO6's features out of the way, here's a few tips for camera settings for common shooting situations.

Remember, the precise settings you use for things like exposure and shutter speed will depend on the specific situation, but the general camera settings from GoPro outlined below will get you going in the right direction.

  • Photographing a moving vehicle (or from a moving vehicle) - Continuous photo mode, wide FOV
  • Photographing a moving bicyclist (or from a moving bicycle) - Continuous photo mode, wide FOV
  • Photographing while hiking - Time-lapse mode, 5-second interval, wide FOV
  • Skiing or snowboarding - Time-lapse mode, 0.5-second interval, wide FOV
  • Surfing - Time-lapse mode, 5-second interval, wide FOV

Granted, this isn't a complete list of GoPro HERO settings, but at least understanding what photo mode to use, the FOV to select, and the time-lapse interval to select (as applicable) will help you capture better photos as you experiment with your new GoPro.

Something else that might help you in your photography and videography adventures is a little inspiration.

For that, check out the video above by GoPro.

Learn More:



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Getting Started in GoPro Photography

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Ask any photographer what the most versatile camera is today, and I'm guessing a strong majority of them will say GoPro.

When it comes to having a camera that can go just about anywhere - from skydiving to snorkeling to all sorts of adventures in between - there simply are no rivals.

Of course, buying a GoPro is a lot easier than actually understanding how to use it to take high-quality photos and videos.

This quick tutorial seeks to teach you a few tricks of the trade to help you get started in GoPro photography.

GoPro Gear Tip: Go Without the Housing

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I've encountered plenty of people over the years that wonder why their GoPro photos aren't very crisp and sharp.

Though there are plenty of reasons why photos are blurry, with GoPros, the plastic housing that covers the lens is a prime culprit.

Go figure - a layer of plastic over the lens causes images to degrade...

This isn't to say that the images are terrible; but if you have a particularly epic shot in mind and you want the highest image quality, ditch the housing.

GoPro cameras are built like tanks and they're waterproof, so unless you're doing something that poses a significant danger to your GoPro, take the housing off, get the shot, and put the housing back on.

Editor's Tip: Having trouble finding the GoPro accessories you need? Find GoPro accessories right here.

GoPro Photography Composition Tip: Use Different Perspectives

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If ever there was a camera that allows photographers to capture scenes from unique perspective and interesting angles, a GoPro is it.

Most people take photos from their eye level, which is fine, but since that's what most of us do most of the time, even the most iconic scenes can look a little boring without some thought about the perspective from which the photo is taken.

Instead, grab your GoPro and get low for some worm's eye view shots.

By dropping the eye level, your photos have a feeling of being much broader with subjects that look larger and more powerful.

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Conversely, by finding high vantage points and shooting down toward the subject, you minimize its size, but show of the scale of its surroundings.

Heck, you can put your GoPro on a GoPole, strap it to your ankle, put it on your bike helmet, wear it on your chest, or attach it to a tree to capture unique low or high-angle photos and videos.

If you aren't sure what perspective would be best for the shot you want, simply experiment. Take more shots than you think you need and cull the bad ones later. Just be sure you have a spare memory card or two on hand.

GoPro Camera Settings Tip: Try Different Modes

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GoPros are excellent little still cameras and video cameras.

Models like the Hero6 Black (shown above) allow you to capture still photos, bursts, looping videos, time lapses, nighttime videos, and shoot 4K video at 60fps.

So rather than taking normal videos and still photos, give your GoPro's different shooting modes a try.

Burst mode is great for figuring out what perspectives are the most dramatic for your photos. Naturally, burst mode is also a good choice for capturing action shots.

Where in previous GoPro models you had to worry about having plenty of light for burst mode to get sharp images, with the Hero6 Black, that's no longer an issue.

That's due in large part to the new GP1 chip that enables the Hero6 Black to operate at twice the video frame rates, offer improved image quality, achieve better low-light performance, and produce images with improved dynamic range. Learn more about this amazing camera in the video above by GoPro.

Put the GoPro in burst mode, fire off a ton of shots as you move the camera around, and see what you get.

Alternatively, try photo time lapse mode to capture fewer shots over a longer period of time as a means of recording your adventures. Either way, experimenting with the camera's many different functions in various situations is a must!

Editor's Tip: Need to upgrade your camera? Learn why the GoPro Hero6 Black is such a good camera.

Wrapping It Up

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It's often said that the best camera is the one you have with you.

Since GoPros are incredibly small and mobile, there's really no excuse not to have it with you pretty much all the time.

And don't think that GoPros are only for adventure photography, either. You can tackle street photography, portraiture, landscapes, and just about anything in between with a GoPro.

The more photos you take, the better the photographer you will become, so pick up a GoPro, keep it handy, give these GoPro photography tips a try, and see what magic you can create.



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GoPro Video Tips

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If you've ever used a GoPro, you understand just how versatile and easy they are to use.

Think about it - a tiny box that can help you take videos of your biggest adventures and do so from any manner of perspectives, from on top of your head to attached to your bicycle and various points in between.

Of course just having a GoPro doesn't make you an expert videographer.

But with the GoPro tips and tricks I outline below, you'll have a much better chance of getting the high-quality video you're after!

Editor's Tip: Get the most out of your GoPro with a killer mount that gives you tons of flexibility and ease of use. I use the OctoPad, a weighted, non-slip mount that keeps my GoPro steady and stable, even on the dashboard of my car! You can use it to support lights, your phone, and even a small camera. It's a go-anywhere alternative to mini tripods that you can use to get better shots. Check it out and see for yourself!

Adjust the Field of View

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The default field of view for video on a GoPro is the standard wide fisheye view that we've all come to associate with GoPro cameras.

And while that fisheye view allows you to cram as much of your surroundings into the frame as possible, it might not be the most ideal setting for every video you take.

New on the GoPro Hero6 Black, for example, is the option to use SuperView, which offers an even wider and more fisheye-looking perspective.

SuperView isn't available in all shooting modes, but if you find yourself in a situation in which the scene you want to film is ultra wide, SuperView is the way to go.

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The GoPro Hero6 Black also has Linear View, which was introduced on the Hero5.

Linear View utilizes an algorithm to correct the distortion that's caused in Wide View and SuperView.

This is advantageous if you want a more natural-looking video sequence in which lines are actually straight.

So, if you want to step up your GoPro video game, be sure to experiment with these different video shooting modes, that way you have the best field of view for the footage you're shooting.

Bonus Tip: Create better GoPro videos by using filters for your GoPro camera, like neutral density filters, which allow you to slow down the shutter speed to create beautifully smooth cinematic-looking videos. 

Learn More:

Manually Adjust the Camera Settings

Just like when you shoot photos with your DSLR or mirrorless cameras, when you shoot videos with your GoPro, it's important not to always rely on the full auto camera settings. That's why you should manually adjust the settings, as described in the video above by Alex Robinett.

Will the default settings get you great results sometimes? Sure! But not all the time...

If you adjust things like white balance, for example, you can achieve better results because your eyes understand the quality and color of the light in the scene much better than your GoPro's camera sensor does.

The same goes for exposure settings - though your GoPro can make a really good guess about how light or dark the scene is, ultimately, there's a lot of factors that can cause it to overexpose or underexpose the videos you take.

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Likewise, don't rely on your GoPro's default settings when it comes to the resolution of your videos.

Though 4K is the sexy format, it results in huge file sizes. On the other hand, WVGA format is way too low-quality. Sometimes, switching to 1080p might be preferable.

The point is that you can take a lot more control over your GoPro than you might think. Spend some time learning about all its controls so you can use them to your advantage when creating awesome videos.

Editor's Tip: Ready to take your GoPro into the great blue beyond? Don't try creating videos in the ocean without the GoPro Hero6 Black Surfer and Water Adventure Bundle.

Hone Your Editing Skills

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Though that sick line you skied through the trees felt awesome at the time, you might find that the video of your adventure isn't quite as exciting as you thought.

That means that you need to develop your GoPro video editing skills, that way you don't bore your audience with dull footage of you doing mildly exciting things.

Where many people mount their GoPro and forget about it, to get the most exciting footage, vary the perspectives from which you shoot.

Take some footage from the GoPro mounted up high and then mount it down low for an alternative view.

Be sure to get close-ups, medium shots, and wide shots as well.

There are tons of editing programs you can use to put all this footage together, too.

If you have a Mac, iMovie does a fine job (and it's free). For something more robust, Premiere Pro is a favorite of many.

For more details about the best GoPro video editing suites, check out the video above by Kyle Martin Tech.

Bonus Tip: Utilize your GoPro's different video modes like time-lapse and video looping (both of which are features of the GoPro Hero6 Black) to create even more interesting footage that manipulates time.

Learn More:



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Here's Why Film is So Popular in 2017

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It's been awhile now that film has been making a resurgence in this digital age of ours.

I remember seeing hashtags a few years ago like #ShotOnFilm and thinking that it would just be a fad - if something like film photography that's been around for so long can be a fad, that is.

But here we are, years later, and people are still really excited about shooting on film.

If anything, film keeps getting more and more popular. Here's why.

It's More Accessible

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I remember having to drive a good 30 minutes back in the day to get my film developed.

And in my neck of the woods, there wasn't a one-hour photo, either, so it was a few days before I got my prints back.

That's just not the case anymore.

FujiFilm has released a new version of its highly popular Instax line of cameras - the Mini 9 shown below - that spit out a credit card-sized photo right then and there.

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In other words, you get the quaintness of film (more on that in a minute) but the satisfaction of getting instant results like digital.

What's more, cameras like the Mini 9 are inexpensive. The film is well-priced too.

That means whether you want one for your kid to introduce them to film photography or want a whole bunch to give to guests at your wedding reception, you can.

Film is a Great Learning Tool

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One of the issues I have with digital photography is that there's just no limit to how many frames you can shoot.

Though, on the one hand, this is nice because you can constantly work on perfecting your shot, on the other hand, there's the feeling that you can just "spray and pray" with your camera without worry of the consequence of how many frames you've shot.

With film, however, you have a limited number of images you can take, and that makes you approach photography a bit differently.

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Instead of shooting in burst mode, you're forced to take your time, think about the composition, and work a little harder to find a vantage point that gives your photos the look and feel you want.

Even on instant cameras like the Mini 9, you're limited to 10 exposures per film pack.

That means that even if you're using your camera for parties or other events, you have to give a little thought to the 10 shots you take.

That's a good thing!

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Some Film Cameras are Tiny and Easy to Use

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You don't have to hit up eBay and buy an old 35mm camera to get into film photography.

In fact, something like the Mini 9 is a great starter film camera for kids and adults alike because it's so small and user-friendly.

Measuring less than 5 x 5 x 3 inches, you can carry the Instax 9 around with ease, documenting family trips, fun with friends, parties, and so forth, as you go.

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It weighs barely 11 ounces (before adding film and batteries), so it's not like you have to carry a heavy load, either.

The Mini 9 continues the tradition of ease of use, too.

It shoots at a constant shutter speed of 1/60 seconds, and with no ISO to set, that means all you have to do is select an appropriate aperture and frame the shot.

The camera includes an aperture selection dial for indoors (f/12.7), cloudy (f/16), partly cloudy (f/22), and sunny (f/32), so it's a simple matter of selecting the setting to match the shooting conditions.

It's Nice to Actually Hold a Print

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For all the virtues that digital photography has, it's a totally different experience looking at a photo on a computer screen than it is to actually hold a photo in your hand.

When you hold a print in your hand, you feel a connection to that moment in a way that's perhaps not even possible with a digital photo.

That tactile experience is wonderful.

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The issue, of course, is that not everyone has an old 35mm film camera lying around, nor does everyone have a film processor nearby.

That's why instant cameras are so great.

You can get that tactile experience of film, but do so immediately, and without having to pay for processing. That's not a bad combination!

Instant Film Cameras Actually Have Cool Features

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One of the reasons that instant film cameras are such a great way to get into film photography is that they are increasingly offering interesting features that make them even more fun to use.

The Mini 9 has a 60mm lens that's roughly the equivalent of a 34mm lens on a full frame camera.

That gives you the perfect focal length for taking photos of anything from a landscape to a portrait.

With an ability to focus from 24 inches away, you can get close-up shots, too.

But where the Mini 9 gets really cool is with its new close-up lens attachment.

Just clip the lens on the camera, and you can focus from 14 inches away.

Add in the mirror on the front of the camera body, and you've got a recipe for a fun, film-based selfie camera.

Final Thoughts

In a world in which we're all so plugged in and worried about likes and shares on our Instagram posts, it's nice to get away from it all and get our hands dirty with film photography.

But as I've noted above, getting involved in film doesn't mean you have to get so involved as to buy a film camera, manual lenses, and build a dark room in your basement.

Grab an instant camera and film, use it to reconnect with what got you interesting in photography in the first place, and see what wonders you can create with the FujiFilm Instax Mini 9.



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How to Take a Long Exposure

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Long exposures are one of my favorite types of photos because they look so incredible (assuming you get everything right, of course) and because they look hard to do.

Now, I'm not saying that there isn't a decent level of work involved to get shots like the one above, but it's certainly not as complicated as you might think.

In fact, you can learn how to take a long exposure in just a few minutes' time.

Don't believe me? Read on and find out!

Gear List

First and foremost, you'll need some specific gear to get your long exposure photos:

Camera

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Duh - you need a camera.

But you don't have to have a big, fancy camera!

An interchangeable lens camera with a self-timer and bulb mode is ideal. And the nice thing is that many inexpensive, beginner-level DSLR and mirrorless cameras have those features.

That means you don't have to spend an arm and a leg on a camera if you don't already have one.

Take the Nikon D3300 shown above with an 18-55mm kit lens as a great example. Brand new, this thing is under $450 at the time of writing. That's not a bad deal!

Tripod

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Since long exposure photographs deal with shutter speeds that are seconds, if not minutes long, you'll need to give your camera a solid, stable base such that the images you capture are as sharp as possible.

Again, you don't have to break the bank on a tripod in order to get something that will serve you well and has plenty of features for long exposures and other types of photos (and video, too!).

The Vanguard VEO 235AP is a great example of an inexpensive tripod (about $115 at the time of writing).

Vanguard tripods have an excellent reputation for build quality, so you know you're getting something you can depend on when you take long exposures.

It can hold nearly 8 pounds, so well within the realm of a crop sensor camera and a lens.

It has five leg sections to give you great variability in height, but it folds down to less than 15 inches for easy transport.

Rubber feet, metal spikes, and easy locking legs make it easy to set up too. It even comes with a PH-25 2-Way Pan/Tilt Head!

Remote

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Even pressing the shutter button to start your long exposure can cause enough vibration to reduce the sharpness of your images.

That's why you need to minimize how much you touch your camera and work with a remote.

But you can't just use any remote - you need an intervalometer that allows you to control how long the shutter is open.

That means that instead of standing there with your finger on the shutter button for minutes on end (which would be impossible to do and get a sharp photo), you use the intervalometer to hold the shutter open.

Basic, wired intervalometers can be found for around $50 online, like this one that works with the Nikon D3300 I mentioned earlier.

For a few more bucks, you can get a much fancier remote that might just prove to be the most valuable piece of gear you have for taking long exposures.

Pulse by Alpine Labs is like a camera remote on steroids - this thing is packed with features that make your job much, much easier.

It's controlled via a smartphone app, so there's no wires to contend with. That means you have much greater range (up to 100 feet) to control your camera.

Just mount it to your camera's hot-shoe mount as seen above, plug it in, dial in the needed settings on your phone, and let Pulse do all the work!

Better still, you can use Pulse for all sorts of other goodies - still photos, real-time video, and time-lapse videos too.

Process

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The process of taking a long exposure is pretty straightforward:

  • Plan - Pick a shoot location that affords you a good view of your intended subject. Determine how to get there, how long it will take to get there, where to park, when the sun sets, and so forth. The more you plan, the more successful you will be.
  • Set up your gear - Get your tripod on solid ground, remove your camera strap (so it doesn't flap in the wind), mount your camera, and plug in your remote.
  • Determine the camera settings - The settings you use will depend on a host of factors, including the specific subject you're shooting, the intensity of the long exposure effect you want, and the available light. To start out, try an aperture of f/8 and an ISO of 100 or 200. The shutter speed you select will determine the level of long exposure effect - a short shutter speed will have little impact; a long shutter speed will extend the effect as seen in the star trails above. This will require a lot of trial and error to get a well-exposed image and get the long exposure effect you want.
  • Compose the shot - No matter if you're photographing a busy street at night or a sky full of stars, be sure to frame the shot such that it includes interesting foreground, midground, and background elements. For example, don't just take a photo of the sky - add in trees, a mountain peak, a tent in the foreground, and so forth. Having supporting elements like those makes for a more interesting shot.

You Need Patience, Too

Creating long exposures isn't something you can necessarily do on a whim.

Depending on the conditions and the look you're going for, you might have exposures that are 20, 30, 40 minutes or longer.

And then once the exposure is complete, your camera will have to process all the data it's collected, which can take just as long to do as the exposure itself.

In other words, you might spend an hour (or well beyond that) just to get one shot.

When you consider all the planning that has to go into taking long exposures, the time needed to setup your gear, and so forth, you can see why patience is a crucial part of this undertaking!

Get some more insights into long exposure photography and get inspiration for tackling this kind of project in the video above by Peter McKinnon.



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Step Up Your Game With These GoPro Photography Tips

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If you ask me, one of the best features a GoPro has to offer is its tiny size.

That makes it ideal for getting ultra-creative with your photography (and videography) because there's no easier camera to manipulate.

You can put your GoPro anywhere - on a bike helmet, in the water, on a stick, and so forth - and get unique photos and videos from all kinds of angles.

So, what else can you do to get epic GoPro footage?

Editor's Tip: Get the most out of your GoPro with a killer mount that gives you tons of flexibility and ease of use. I use the OctoPad, a weighted, non-slip mount that keeps my GoPro steady and stable, even on the dashboard of my car! You can use it to support lights, your phone, and even a small camera. It's a go-anywhere alternative to mini tripods that you can use to get better shots. Check it out and see for yourself!

Steady as She Goes

One of the nice things about newer GoPro models like the HERO6 Black shown above is that they have image stabilization.

That means that you get sharper photos and steadier video, even when your GoPro isn't in the most stable of states.

However, no image stabilization system is perfect, which is why having the right accessories to stabilize your GoPro will help you unlock its potential.

If you're shooting still photos, use a tripod with your GoPro. Heck, if you're shooting video, get a tripod with a pan head so you can get smooth, fluid panning shots.

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If you're tackling something a little more adventurous and you're in motion with your GoPro, try pairing it with a powered gimbal.

Gimbals use motors to stabilize cameras by counteracting movement.

That means that whether you're running on the beach while holding your GoPro or riding your bike down a huge mountain, the video you get from those exploits will be beautifully smooth if a gimbal is involved. If you have a HERO6 Black, for example, give GoPro's Karma Grip a shot.

Learn More:

Use Angles to Your Advantage

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One of the easiest ways to make your photos and videos stand out is to shoot them from angles that are uncommon.

By that, I mean that we all know what the Golden Gate Bridge looks like when standing on the shore.

But with a GoPro, you can easily get down low and incorporate more foreground interest into the shot for something more unique.

You can even hop in the water for an interesting view of your subject.

The point is that rather than standing around like most photographers, take your GoPro, experiment with different angles and perspectives, and the results will be much more eye-catching!

Bonus Tip: Newer GoPros like the HERO6 Black have a touch-based zoom feature that gives the camera abilities like a traditional zoom lens. Use this feature to take wide and narrow shots for yet another way to vary what your photos and videos look like.

Editor's Tip: Looking for a little more adventure with your GoPro? Consider upgrading to a GoPro Hero 6 Black Outdoor Adventure Bundle.

Shoot Manually

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Just like with a DSLR or mirrorless camera, a GoPro will give you improved functionality if you take control of its settings yourself.

Don't get me wrong - the automatic settings on a GoPro are just fine, but there's a few tweaks you can make to enhance the results you get.

Higher-end models like the HERO6 Black allow you to select the image resolution and video resolution.

Selecting the frame rate that's ideal for what you're doing is also a good tip to remember.

Faster frame rates, like 60fps, offer super smooth motion. But if you want something that's more like what you see in the movies, 24fps is the way to go.

Bonus Tip: When shooting in bright conditions, recording action, or when you want slow-motion footage, shoot at 60fps. When you're shooting in low-light situations, use 30fps for the best results.

Final Thoughts


Image Credit: Adventure_Photo

Can a GoPro go toe-to-toe with the likes of a Canon 5D Mark IV or a Nikon D850? No...

But are GoPros very capable and incredibly versatile cameras? Absolutely!

There's no camera that can match a GoPro's ability to go anywhere and do anything. And with the GoPro photography tips that I've outlined above, you'll be in a great position to get every last ounce of capability out of your GoPro.

Learn More:



We Recommend


The Best DSLRs on the Market Right Now

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Let's face it - when it comes to camera selection, these days, there's a lot of options.

From full frame to micro four-thirds, DSLRs to mirrorless, and everything in between, it can be a little overwhelming when you look online for a camera or visit your local camera store.

It's hard to muddle through all the options, which is why I thought it would be beneficial to narrow the field down for you.

With that in mind, I've put together this list of the four best DSLRs money can buy right now.

Canon EOS 5D Mark IV

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Essential Specs

  • 30-megapixel full frame sensor
  • Shutter speed up to 1/8000th seconds
  • ISO range from 64-102400
  • Burst shooting up to 7fps
  • 4K Video
  • 61 dual pixel autofocus points

The Canon EOS 5D has been around for a long time, and the Mark IV version of the camera does its heritage justice as it's one of the best all-around cameras money can buy.

Granted, it's not cheap, but if money isn't a concern, this is the camera you should buy.

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The Mark IV's sensor is magical, delivering results that are tack-sharp.

But aside from superb image quality, the Mark IV's autofocus system is probably my favorite feature. With "just" 61 AF points, it lags behind some of its competitors (namely, Sony). However, since all 61 points are of the dual pixel variety, you get amazingly advanced performance with handling that you'd expect from a professional-grade camera.

I'd be remiss not to mention a few other features as well.

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For starters, the Mark IV has a glorious LCD, which at 3.2-inches with 1.62 million dots is big and easy on the eyes.

It's also touchscreen-enabled, a must-have for the modern photographer.

It's actually the same screen that's found on the EOS 1D X Mark II - an even more expensive camera. However, the 5D Mark IV enjoys full-time touchscreen capabilities whereas the 1D X Mark II only gets that feature in live view.

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The viewfinder isn't bad, either.

It's big, bright, and easy to see, and offers 100 percent coverage as well.

With Canon's Intelligent Viewfinder II technology, you get all sorts of critical information in the display.

From a rule of thirds grid to an electronic level to details about metering (and a lot more), it's a next-generation display that will help you take better photos.

There's a lot to love about the Canon EOS 5D Mark IV, that's for sure!

Learn More:

Nikon D810

Essential Specs

  • 36.2-megapixel full frame sensor
  • Shutter speed up to 1/8000th seconds
  • ISO range from 64-12800
  • Burst shooting up to 5fps
  • 1080p video at 60fps
  • 51 autofocus points

Though the Nikon D810 isn't as new or as fancy as the previously reviewed Canon EOS 5D Mark IV, it still packs more than enough punch to land at the #2 spot on our list.

With an enormous 36-megapixel full frame sensor, it produces clear, sharp, resolute images that rival those taken on a 5D Mark IV. The lack of an anti-aliasing filter helps in that department, delivering top-notch results with a level of detail that's all the more stunning knowing this camera is a few years old.

You get those images without the same beautiful LCD as found on the 5D Mark IV, but it's still a large 3.2-inch screen with 1.229 million dots.

Perhaps my favorite feature of the D810 is its build. You will struggle to find a camera that's as well put together as this thing.

It's got a weather-sealed magnesium alloy body that's simply built like a tank. It feels good in your hand, too, with a chunky grip that makes you feel like you've got a solid handle on the camera body.

That makes it a great choice for landscape photographers, sports photographers, and wildlife photographers that will be out in the elements and need something that can withstand the abuses of shooting outdoors.

Sure, the D810 doesn't have the fastest burst shooting, it doesn't come with GPS or Wi-Fi, and it only has 1080p video. But the autofocus system is smooth and accurate (and one-third faster than the D800), and at 60fps in 1080p, the D810 can still take some good video.

However, the quality of the images this thing takes is something to behold, and when the price is considered, it's an especially good buy and value for your money.

In other words, if the 5D Mark IV is too rich for your blood, give the Nikon D810 a look.

Learn More:

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Canon EOS 5DS

Essential Specs

  • 50.6-megapixel full frame sensor
  • Shutter speed up to 1/8000th seconds
  • ISO range from 100-12800
  • Burst shooting up to 5fps
  • 1080p video at 30fps
  • 61 autofocus points

Clearly, the EOS 5DS' claim to fame is its incredible sensor, which broke the mold for full frame cameras when it was introduced.

At almost 51-megapixels with a resolution of 8688x5792, it's nearly into medium format territory.

Like the 5D Mark IV, the 5DS sports a 61-point autofocus system, although in this model there are 41 cross-type sensors and no dual pixel sensors.

However, the AF system still performs admirably and will enable you to capture sharp, heavily-detailed images of moving subjects, especially considering you can shoot up to a shutter speed of 1/8000 seconds.

And though the 5DS is packed to the gills with pixels and only has an ISO range up to 12800, it has surprisingly good performance when it comes to noise.

Like the Nikon D810, the 5DS does not have 4K video capabilities. At 1080p, it produces fine results, though, at 30fps, it lags behind the D810. However, if you buy this camera, it's not to shoot video; it's to shoot highly resolute still images.

Still, it would be nice to have 4K video, Wi-Fi, and other modern goodies, but if you're after the highest resolution images possible, the 5DS isn't a bad choice at all!

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Bonus: Nikon D3300

Photo of D3300

Essential Specs

  • 24.2-megapixel crop sensor
  • Shutter speed up to 1/4000th seconds
  • ISO range from 100-12800
  • Burst shooting up to 5fps
  • 1080p video
  • 11 autofocus points

Not all the best DSLRs available today are full frame behemoths with huge price tags.

If you're looking for something a little more budget-friendly, the Nikon D3300 is an excellent pick.

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With a 24.2-megapixel crop sensor, the D3300 can't replicate the resolution of the other cameras on this list, but its sensor is nevertheless a top-notch sensor, especially at this price point.

You can capture nice action shots with a shutter speed up to 1/4000 seconds, burst shooting at 5fps, and a solid 11-point autofocus system.

Its ISO range is identical to that of the Nikon D810, though, with the smaller sensor, noise is a bigger issue at higher ISOs.

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There's no 4K video on the D3300, which isn't a surprise at all, considering you can get the camera bundled with a kit lens for under $500.

With the other cameras on this list as much as seven times as expensive just for the camera body, if price is your number one factor in your decision making, the D3300 is the place to look.

Sure, it can't match the performance of the other cameras listed above, but if you're just starting out, you need a camera that matches your skill set, and the D3300 does just that.

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We Recommend


Your Guide to PhotoPlus 2018

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I love this time of year because fall is a great time for photography and I get to plan my annual trip to PhotoPlus in New York City.

If you've never been to PhotoPlus, it's a smorgasbord of photography classes, seminars, photo walks, and keynote speakers. Plan to be there October 25-27, 2018!

It's a great opportunity to rub elbows with other photographers, learn about where the industry is headed, and scope out awesome photography products from some of the top photography companies in the world.

I always enjoy the expo at PhotoPlus because it's nice to see old friends and make new ones (and it's fun playing with all the products on display!).

Here's a few fine folks I'm excited to see at this year's PhotoPlus.

Sirui

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What I appreciate about Sirui is that they listen to photographers and put out gear that has the features and the versatility that we want. 

This is evident in all of the products they produce, but particularly with their tripods.

I’ve been rocking a Sirui W-2204 waterproof carbon fiber tripod for years now, and it is hands-down the best tripod I’ve ever owned.

In fact, I love this tripod so much that I honestly didn’t think that Sirui could ever really top it. I was wrong.

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Earlier this year, Sirui unveiled a brand-new line of professional tripods that take the meaning of “great tripod” to another level entirely.

Dubbed the “SR Series,” these tripods have some impressive statistics: they can hold up to 55 pounds of gear, reach a height of 80-inches with the optional two-stage center column, and have rock-solid twist-lock leg mechanisms that make for quick and easy setup.

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Speaking of easy setup, the SR Series tripods have three-position leg angles that further allow you to position the tripod just right to get the shots you want. 

Add in an integrated bubble level to keep your horizons straight, a removable flat top plate for converting from photography to videography, and an integrated ¼-inch socket on the spider for attaching accessories, and you have the makings of a tripod that can handle anything you throw at it.

And on top of all that, the SR Series is just one of many tripod families by Sirui. They have dozens of other tripods that are packed with features for photographers of all skill levels. 

Sirui will be manning Booth 1054 at PhotoPlus 2018. Stop by and see the impeccable quality of their SR Series tripods and other products for yourself! 

Learn more about Sirui

Holdfast

I’ve owned a lot of photography gear over the years - plenty of it perfectly good, some of it really bad, and even less of it that I’d put in the “spectacular” category.

Well, solidly in that spectacular category is my gear from Holdfast.

These guys crank out some of the best photography straps and camera bags on the market today. I’ve used their products for years now, and I can personally attest to the quality, the functionality, and the aesthetics of their MoneyMaker Dual Camera Strap and their Roamographer Camera Bag. 

But Holdfast embodies something else that I appreciate beyond their ability to craft amazing photography gear - they’re constantly working to improve their products and deliver innovative gear that makes our jobs as photographers easier.

New for 2018, Holdfast recently unveiled their MoneyMaker Solo - a single camera version of the original MoneyMaker.

The Solo solves the one “problem” of the original MoneyMaker in that it’s specifically designed for single-camera shooters. Photographers asked for a “lite” version of the MoneyMaker to address this issue, and Holdfast has obliged in beautiful fashion.

Where my original MoneyMaker can accommodate up to three cameras, the Solo gives you a comfortable and functional way to carry one camera such that it’s out of your way, yet right at your fingertips for quick shooting at the same time. That’s thanks in large part to the included belt anchor that keeps your gear locked in without moving, right at your side, yet easily releases it when you need to take a shot. 

Made using the same gorgeous leathers and hardware as the original MoneyMaker, the Solo also has the same versatility of the original MoneyMaker because you can add Holdfast’s cell phone pouch and lens pouches to carry even more gear. 

If you’re new to the Holdfast environment, I strongly suggest you find your way to Booth 651 at PhotoPlus 2018 and scope out the MoneyMaker Solo and their other products firsthand. You won’t be disappointed! 

Learn more about Holdfast

MyCaseBuilder

I go to PhotoPlus every year and spend a ton of time on the Expo floor checking out all the incredible photography gear that companies are putting out. 

Over the last two or three years, I’ve run into the folks from MyCaseBuilder, and each time I visit their booth, I’m totally blown away by the online program at MyCaseBuilder.com. It is so easy-to-use and each custom insert is unique, created with incredible attention to detail and overall quality.

MyCaseBuilder elevates the process of designing and manufacturing their inserts with an engineer’s precision and an artist’s impeccable touch. 

On top of that, the MyCaseBuilder team is simply a collection of rock stars that are dedicated to creating products that not only protect valuable gear from damage, but also help all us photographers actually do our jobs better. 

Since you can completely customize your MyCaseBuilder foam insert, you can determine what case the insert is for as well as the kit it will be used with. Whether you’ve got a Nikon D850 with ultra-wide-angle, wide-angle, and telephoto lenses for landscape photography or a Sony A7R III with a slew of prime lenses for portraiture, or something in between, these custom foam inserts will accommodate whatever gear you’ve got.

Better still, since you get to determine where each piece of kit goes in your insert, you can customize how your gear is stored in your case to suit your specific needs. Now that’s what I call perfecting your workflow!

I don’t travel as much as I once did, but I can tell you this - if I’m ever on the road with my photography gear as much as I used to be, the very first thing I’m going to do is design a MyCaseBuilder custom foam insert to protect my camera, lenses, and other gear. 

If you’re headed to PhotoPlus 2018, be sure you drop by Booth 162 and see what MyCaseBuilder has to offer. Take it from me...you’ll be impressed!

Learn more about MyCaseBuilder

Click Props Backdrops

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One of the newest companies on my must-see list at PhotoPlus is Click Props Backdrops. 

It’s been about a year since I first laid eyes on my first backdrop from these guys at PhotoPlus 2017. And man, was I ever impressed!

Those positive impressions have stayed with me since, and I’m excited to see what Click Props Backdrops has in store for PhotoPlus 2018.

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From my point of view, there are two things that make this company one of the most exciting in the photography industry today. 

First, they simply make some of the best backdrops on the market. If it’s quality you’re after, you needn’t look any further.

Not only are these backdrops beautifully made, but they’re also durable, too.

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If you’ve spent any time in a portrait studio, you know that no matter how hard you try, dust and dirt always find their way onto your backdrops. 

But since Click Props Backdrops use 550gsm vinyl, they’re super easy to clean between shoots. What’s more, the vinyl is thick, so it doesn’t easily tear or puncture. That’s durability you can count on! 

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The second thing that makes this company stand out is the sheer enthusiasm that Kat Armendariz, operator of Click Props Backdrops, and her team have for photography and helping other photographers create top-notch images.

They aren’t in it just to make a quick buck. Instead, Kat and the Click Props Backdrops family strive to offer the best-quality backdrops, floorgrounds, and combo sets. 

But don’t take my word for it - Click Props Backdrops is a three-time winner of the Best Professional Studio Accessory award. 

If you’re at PhotoPlus this year, don’t miss out on seeing the best backdrops on the market. Visit Kat and her team at Booth 462.

Learn more about Click Props Backdrops

MPB

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Whether you're in it for fun or as an occupation, photography is expensive.

Fortunately, there are ways to save money on photography gear and get more bang for your buck.

MPB is a great option for photographers that way to buy or sell used gear.

Their secure online platform makes it easy to find what you need for a price that doesn't break the bank. And if selling old gear is on your mind, MPB makes getting rid of your old stuff a breeze as well. You can even trade in your old gear to finance newer gear!

If you're a buyer, MPB has an unrivaled collection of cameras, lenses, and other gear you can choose from.

Once you find something you like, you simply place your secure order, wait for your gear to arrive, and enjoy a six-month warranty on your purchase.

If you're a seller, MPB offers competitive pricing for your gear, that way you get the most out of your old camera or lens. MPB even offers free pickup to make the process of selling your old gear easier.

I can speak to the ease of using MPB because I've bought and sold gear with them a number of times.

If you're looking to save money on new-to-you gear or have a camera or lens you want to get rid of, MPB is the place to do it.

Drop by Booth 265 at PhotoPlus 2018 to say hi to the MPB team!

Learn more about MPB

Skylum

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Skylum is a leading photography software company whose mission is to make editing your photos as simple and user-friendly as possible.

Their Aurora HDR software is the best HDR software in the business, and helps you create flawless HDR images in a matter of seconds. That's thanks to revolutionary tone mapping with a Quantum HDR Engine that instantly merges bracketed images into perfectly balanced HDR photos.

No bracketed images? No problem! You can even create HDR images from a single source photo.

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Skylum's Luminar software is no slouch, either, with an innovative suite of tools and high-end proprietary technology that gives you the power to create images that are truly breathtaking. Seriously, for my money, Luminar is every bit as good as the big boys - Photoshop and Lightroom.

That's due in large part to the fact that it's got 45 intelligent filters to enhance your photos, 67 smart presets that make editing a breeze, and an intuitive and easy-to-use interface that facilitates quick photo editing.

Luminar is also available for a one-time fee, so there's no endlessly repeating charges to use the software like other companies.

If I summed up Skylum in one word, it would be innovation. These guys are the tip of the spear in photo editing software. There's a reason why they've won so many awards!

Swing by Booth 155 to check out the latest from Skylum.

Learn more about Skylum

Peak Design

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If you ask me, Peak Design is one of the top camera bag companies right now.

Not only do their bags look like a million bucks, but they're also highly functional and affordable, too.

Better yet, Peak Design understands that every photographer has different needs, and their line of bags seeks to give each of us just what we need for our specific workflow.

Whether you have a ton of professional gear you need to carry in a big bag, a small mirrorless system for weekend fun, a bag to carry your drone and the associated accessories, or something in between, Peak Design has just what you need.

They also have a host of innovative camera straps and a new travel line (detailed in the video above), complete with an organization system to keep everything from your dirty clothes and shoes to your camera and lenses nice and tidy in your bag.

For people like me that are a little on the unorganized side, their travel backpack is a total lifesaver.

These guys really do think of everything, but if you need more convincing, a few minutes at Booth 1131 will make you a Peak Design enthusiast!

Learn more about Peak Design

Kate Backdrop

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A new company that's on my radar is Kate Backdrop.

I stumbled upon these guys when I was looking for backdrops to recommend for a friend that's a portrait photographer.

To say that I've been impressed with what I've found from Kate Backdrop is an understatement.

For starters, the sheer size of the selection of backdrops is amazing. We're talking hundreds and hundreds of designs for all kinds of portraits, from holiday themes to abstract textures, birthday party backdrops to sports backdrops.

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What's more, not only are these backdrops premium quality, but they're also budget friendly. Talk about a win-win!

You can get custom-painted backdrops, custom sizing, rubber floor mats, complete studio sets, and more.

I, for one, will be spending a good deal of time at Booth 367 because I want to see just how incredible these backdrops look up close!

Learn more about Kate Backdrop

Focus Camera

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If you've got a need for a new camera, lens, or other accessory, do yourself a favor and make Focus Camera your go-to resource for new photography gear.

I've worked with Focus Camera for years now, and I can tell you first-hand that every time I order something, I'm blown away by the customer service experience.

Not only that, they do a great job getting your gear to you in a timely fashion, which as an incredibly impatient person, I really appreciate.

Their selection of products is second-to-none as well.

That includes photography and videography gear, scopes and optics, TVs, computers, and even musical instruments.

Something else that I appreciate about Focus Camera is that they have competitive pricing.

There's no big markups here, no outrageous fees, either.

Instead, when you buy something from Focus Camera, you know that you're getting a fair price on top-notch products, and that you'll have a team of professionals that will have your back after the sale, too.

Seriously, if you have a problem, a concern, or a question, you'll quickly discover just how great the team at Focus Camera really is!

Stop by Booth 164 to see the Focus Camera difference!

Learn more about Focus Camera

Epson

I fully admit that I was a Canon printer guy for a really long time.

But when my Canon printer was on its last legs, I decided to give Epson a try. That was a great decision.

I have Epson's SureColor P800 printer, and it has quickly demonstrated itself to be the best printer I've ever owned.

It's clear that Epson is at the forefront of printing technology based on the results I've gotten with this printer.

Not only is the color absolutely incredible, but the printer can accommodate making prints up to 17-inches wide. You can even make borderless prints!

The giant 80ml ink cartridges are nice, too, because I print a lot of images, and nothing is worse than getting those low ink warnings when you're in the middle of printing an important photo.

Whether you need a small print or a large one, a color print or a black and white, Epson has you covered!

See what new products they have in store by visiting Booth 707 at PhotoPlus 2018.

Learn more about Epson

Spider Holster

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Years ago, I picked up a Spider Holster SpiderLight hand strap for my Sony a6000, and I instantly became a huge Spider Holster fan.

Since then, I've picked up a strap for my Nikon D850 as well as a new hand strap for my Sony a6300.

To say that these straps are intuitively designed is an understatement.

Not only are they crafted using materials that are durable and comfortable, but the design of these hand straps makes shooting a much more comfortable endeavor.

The strap hugs your hand - not strangle it - so you get the comfortable carrying experience you want while knowing that your camera won't slip off your hand, either.

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But don't think that Spider Holster is only about hand straps...

Their holster system is one of the best in the business.

From single and dual-camera systems for big, professional gear to holsters, straps, and other accessories for small point-and-shoot cameras, Spider Holster has you covered.

No matter what kind of holster you have, you'll find that the speed with which you can work is increased.

What's more, you'll know your expensive gear is safe and sound with Spider Holster's unique ball-joint system that keeps your camera and lens securely attached to the holster, yet allows your gear freedom of movement, that way it can move with you, not against you.

Seriously, if you've never experienced the joy of carrying your gear in a Spider Holster rig, you need to give it a try at Booth 1025!

Learn more about Spider Holster



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