Screamin Scott wrote:
Stealthy Ninja wrote:
McBeth Photography wrote: A nice sunpak UV filter came with my used 85mm f2, I was thrilled! I immediately took off the filter and figured out how to get the filter glass out of the filter holder and then put the filter holder back on my 85mm f2 and now the filter threads on the front of my 85mm f2 are protected from dings. Works great!
And some bonus vignetting too.
Since he's shooting with a "crop" camera (D70), no vignetting will occur
Stealthy Ninja wrote:
Screamin Scott wrote:
Stealthy Ninja wrote:
McBeth Photography wrote: A nice sunpak UV filter came with my used 85mm f2, I was thrilled! I immediately took off the filter and figured out how to get the filter glass out of the filter holder and then put the filter holder back on my 85mm f2 and now the filter threads on the front of my 85mm f2 are protected from dings. Works great!
And some bonus vignetting too.
Since he's shooting with a "crop" camera (D70), no vignetting will occur
Oh it will... it'll vignette all over the place. Twice when it's in the mood.
Back on topic. I've been in many a debate about UV/Protection filters. It comes down to what you want to do basically.
Stealthy Ninja wrote: NIkon on Canon FTW.
MLKstudios wrote: Zeiss lenses are also popular with SLR filmmakers. Both the 35mm versions and those for medium format Hasselblads. You can buy the non-shutter variety (F models) fairly cheap now. Relative to those with a shutter I mean.
Because they were designed to work on larger bodies, the adapter doesn't get in the way of the infinity setting.
PS I have an 85mm f/2 in a bag somewhere too. Great lens.
MLKstudios wrote: For landscapes a polarizing filter is a good option to have (it can improve color saturation). For other types of photography, it steals away too much light. Usually a stop or two.
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