CharleyL wrote: "Incredible, thank you Charley, good advice. Do you do many weddings yourself?"
Not any more, except for my grand daughter's wedding 4 years ago. I'm getting too old and with too much wrong with me to be as reliable and agile as is required for doing good wedding photo shoots. I can no longer quickly move around while carrying two cameras and other needed items. I still have the dual camera harness and oversize fanny packs for spare batteries, lenses, memory cards, etc., but I don't use them any more.
My grand daughter, now an adult and married, can have them if she decides to do weddings. I took the time to train her in the basics several years ago, and then gave her a Canon T7 with 50 mm lens, tripod, light stands, batteries, umbrellas, memory cards, speedlites, etc and she is calling or coming back for additional training and problem solving whenever she needs it. She will likely inherit the contents of my studio when I am gone.
I'll be 82 next month and I have metal knees from a firefighting accident, plus 8 heart surgeries, and I survived cancer twice in the past 24 years. I shouldn't still be here but I am, and I'm not sure why. I spend most of my free time experimenting with photography and lighting in my small studio upstairs in my home, or working out in my shop. I'm a "Maker" who has long been creating things that I want/need, if buying it wasn't possible financially, because it didn't exist, or because I didn't like their design. Some furniture in my home was built in my shop. I had a welding/metal working shop too, but gave the contents of it to my #2 son across town when they installed a pacemaker in me and told me that I had to stay away from high energy sparks. I go to his shop and have him make the sparks for me, but usually do the rest of the fabrication work myself now.
Because my studio is only 19' X 26' with an 8' ceiling (biggest constraint), I designed and built a ceiling lighting support grid with power, so I can hang my lights and other things from the studio ceiling. The ceiling grid is 10' wide because of the width of my 6 motorized backdrops, and 24' long, but I can cantilever support out beyond the sides of the grid, if I should wish to hang a light out near a side wall. I can easily hang anything less than about 20 lbs anywhere within this room area, and power is available along the sides of the grid on the ceiling, so within 5' of anywhere that I hang a light. I still use C Stands, when the light will need to move often, but power for the light now comes from the ceiling outlets above. There are no wires and nearly no tripods ever on my studio floor, so a very minimum of tripping hazards. I use camera stands instead of tripods for my still and video cameras. They require less floor space and have matching ball heads, so the quick attach plates are interchangeable. Everything hung from this ceiling grid has a safety cable, since the lighting attachment spigots are just one point connect and unreliable when inverted with a light hanging from above. Even my tether cable is from above, but with enough slack in my usual camera location to allow free movement in about 1/2 of the room and I have an extension for the tether cable, if I should ever need it.
I have wireless controls for powering the lights, triggering the flash, raising/lowering the backdrops, etc. all from the camera location, so changing from portrait photography with flash, to making videos with constant light or back to portrait flash in the same space takes me about 10 minutes. I even have a setup to do macro photography in one corner of the studio. The ceiling height is my biggest constraint, but raising it would be a major expense, so I won't be changing it. Though I've wanted my own photo/video studio since about 1960, this is the first that I've owned, and it will likely be my last. I will be glad to help anyone with questions about how I made my studio, if they should wish to duplicate any part of it.
Charley
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