Could video kill photography?

9 years 3 months ago #427650 by Joves
Take a video capture of something, then take a still image. The two modes work in totally different ways. With still photography you have the shutter which essentially freezes the light, and shadows at one point in time, therefore allowing more detail if shot properly. Now go through your video caps frame by frame, and try to find one with as much detail. Since the camera is not using the shutter to freeze the scene, but is just open, and recording it constantly. Video will not come even close to killing the dedicated still camera, or its function in the cameras. The only reason a video looks good and sharp while it is moving, is because our eyes, and brain make it appear so while processing the movement. Stop the motion, and that scene does not look so good.


,
9 years 3 months ago #427714 by Alan Nunez
I am sure this is the same conversation that photographers had in the 80's. Video is important and will grow as digital media becomes easier to work with (storage and bandwidth). I am sure that 3D will come into the mix soon!

I do not think it will kill it however the dynamic may change.


,
9 years 3 months ago #427786 by Stealthy Ninja

Joves wrote: Take a video capture of something, then take a still image. The two modes work in totally different ways. With still photography you have the shutter which essentially freezes the light, and shadows at one point in time, therefore allowing more detail if shot properly. Now go through your video caps frame by frame, and try to find one with as much detail. Since the camera is not using the shutter to freeze the scene, but is just open, and recording it constantly. Video will not come even close to killing the dedicated still camera, or its function in the cameras. The only reason a video looks good and sharp while it is moving, is because our eyes, and brain make it appear so while processing the movement. Stop the motion, and that scene does not look so good.


Close... but not quite.

Video uses shutter and (progressive shot video) can have as sharp a still frame as photo.  Film cameras (I'm talking movie cameras here) actually shoot a series of photos on a constant role of film.  The rate those frame flow through the camera is called "framerate" and with film is usually 23.976 frames per second (rounded up to 24p for most cameras), for video in PAL countries it's 25fps and in NTSC countries it's 30fps.  25fps and 30fps has to do with electricity frequencies and is to stop that shimmery effect under electric lights.  The amount of light that goes into each frame is also controlled by SHUTTER SPEED (just like with cameras).  This is measured in degrees with film cameras, or on more modern cameras a 1/100 DSLR style number (I get confused with the degrees, so I usually choose the DSLR option).

The problems you're describing is deliberate motion blur that is often deliberately done to give (as you said it) an illusion of smooth motion.  

As a general rule it is good double your framerate on the shutter. For example, here in Hong Kong we shoot in PAL (25 fps) so I shoot with a 1/50 shutter.   I then can adjust aperture to suit the light (not a good idea if you want creative control) or ISO to match the light (not great if you don't want grain) or more to the point, match the LIGHT to the camera settings (this is why films spend a lot of time messing about with lights).  

Alternatively, you can get the saving private ryan look by using a 45 degree shutter (1/192 shutter speed) on 24fps shoot.  This will almost eliminate all motion blur and if you freeze a frame, you'll get much more of a "frozen in time" shot like you would with a DSLR.

So sure, you won't usually be able to grab a still from an action scene if creative motion blur is used (which is pretty normal).  But a video is shot in a very similar way to a photo.  The main issue is RESOLUTION.  

Here's the kicker though. 4K is 8MP.

So properly shot, there's no reason you couldn't shoot a video in 4K.  Take a still from it and print it at least 24x36 inches without too much of an issue.

Now, would I do this myself?  No, not unless requested, because even if I were shooting 4K on a really good camera, it's not the same as shooting a RAW image.  There's ya deal breaker, RAW.  

So yeah, until 4k RAW video is more common I don't see video taking over photography completely.

Also it's much easier to shoot above 8MP if you shoot with a dedicated stills camera.

Lastly, I don't see video as a threat.  Why not embrace it rather than be scared of it?  My photography friend (ex-photography partner, he moved to the USA recently) is getting into video more and more, he's a complete noob, but he can see that diversity is the key.  If you don't like video, just don't use it.  

Could video kill photography eventually? Yes, in theory, but most people aren't going to shoot 4k Raw video just so they can extract some stills from it.
,
9 years 3 months ago #428483 by Alan Nunez
Nice Post Stealthy Ninja


,

817.3K

241K

  • Facebook

    817,251 / Likes

  • Twitter

    241,000 / Followers

  • Google+

    1,620,816 / Followers

Latest Reviews

The Olympus Pen E-P7 is an affordable micro four thirds mirrorless camera with 4K video capabilities, a 20.3MP sensor, and 121 focus points, making it a solid entry-level camera for beginners.

May 13, 2024

The Panasonic G9 II is a 25.2-megapixel micro four thirds camera with numerous features that make it punch out of its weight class, like 779 AF points, 5.8K video, and weather sealing.

May 10, 2024

The Fujifilm XT5 is a 40MP mirrorless camera capable of 6.2K video at 30p. With those specs, it’s an ideal choice for photographers needing a camera to pull double duty for imaging and video.

Apr 25, 2024

The Canon EOS R100 is an entry-level mirrorless camera introduced in 2023. But just because it’s an entry-level camera doesn’t mean it’s a bare-bones camera. Find out why in this review!

Apr 22, 2024
Get 600+ Pro photo lessons for $1

Forum Top Posters

Latest Articles

Auto white balance is a camera setting that adjusts the color temperature of your images automatically. It often works well, but you should know a few tips to fix problems it might cause, too.

May 24, 2024

The Canon EOS 5D Mark III might be more than a decade old, but it still has the chops to be a quality camera for photographers in 2024.

May 23, 2024

Starting a photography business can be a daunting task. There is a lot to do, and many mistakes can be made. This guide helps you minimize mistakes and maximize your success!

May 21, 2024

The Canon 6D Mark II might be an older DSLR, but that doesn’t mean it isn’t a good option for 2024. In fact, this budget-friendly camera is a powerhouse for stills and videos.

May 21, 2024

In this guide to the bokeh effect, you’ll learn what bokeh is and the factors involved in creating it. You’ll also explore some beautiful example images to spark your creativity with bokeh!

May 16, 2024

Upgrade your kit in 2024 with the best intermediate camera on the market! The question is, what camera fits the bill? We’ve got three top options for you to choose from in this buyer’s guide.

May 15, 2024

The best photography jobs right now are a mix of tried-and-true gigs like wedding photography and new jobs highlighting AI’s capabilities, travel, and videography.

May 15, 2024

The Olympus Pen E-P7 is an affordable micro four thirds mirrorless camera with 4K video capabilities, a 20.3MP sensor, and 121 focus points, making it a solid entry-level camera for beginners.

May 13, 2024