Lighting Equipment
One of the difficulties in shooting weddings or portraits outdoors is that the available light is not always ideal for photographs. In fact, it's usually the opposite. With LitePanels, however, you can effectively modify existing light to make it more visually compelling for your portraits.
This lesson explores the use of Photoflex LitePanels in modifying natural light while shooting bridal portraits on location. As you'll see here, LitePanels are great at providing elegant lighting, quickly and easily.
Topics Covered:
- LitePanel Set-up
- Diffusing Sunlight
- Bouncing Sunlight
- The 5'n1 Reflector
For this lesson, we photographed two different brides, one with dark features and the other with relatively light features. Keep in mind that different skin tones and eye color can require slightly different lighting treatments. [figures 1 & 2]
Figure 1
Figure 2
LitePanel Set-up
Photoflex LitePanels are lightweight reflectors that are easy to set-up. The series of photos below show how the panel frame unfolds and sets up. [figures 3-8]
Figure 3
Figure 4
Figure 5
Figure 6
Figure 7
Figure 8
Here, we see the White Translucent fabric being attached. [figure 9]
Figure 9
Diffusing Sunlight
With our first bride in position, we first wanted to show how to diffuse sunlight using a single LitePanel with White Translucent fabric.
In this first result shot, the bride is placed in direct, high-contrast sunlight. Notice how she is turned at an angle to the light? Once the LitePanel is in position, you'll see how it will soften the contrast, yet maintain the three-dimensional quality. [figure 10]
Figure 10
Next, our assistant held the LitePanel between the sun and the bride. You can use a LiteStand to hold the LitePanel, but many wedding photographers prefer to use an assistant on a wedding shoot, since the pace is usually fast. The quicker you can move your gear around, the better. [figure 11]
Figure 11
In the result shot, we see a soft light quality that wraps around the bride's face and body. [figure 12]
Figure 12
Reflecting Sunlight
Next, we decided to use reflective fabric - rather than translucent fabric - to bounce sunlight into that shadow areas of the brides.
For the full-length bridal portrait, the bride was placed in a shady spot where the sun illuminated the patio a few feet in front of her. If you're going to use a reflector as the main light on your subject, it's usually best to choose a backlit setting. This allows you to reflect sunlight or skylight back into the shadow areas of your subject. Here, we chose an uncluttered natural background for the first bride. [figure 13]
Figure 13
This set-up shows the assistant holding the Soft Gold LitePanel. Notice that the Panel is off to one side defining the direction of light and the panel is slightly tilted. The other advantage with having an assistant is that they can see the light hitting the subject and can adjust the angle as needed. Here, we chose the Soft Gold fabric to provide a warm glow light for the bride. [figure 14]
Figure 14
This second perspective shows the distance and angle of the LitePanel to the bride. [figure 15]
Figure 15
Next, we took some shots with the second bride. For comparison sake, we first took a shot without the LitePanel fill (only indirect sunlight captured here) and then used the LitePanel with Soft Gold fabric as a fill. [figures 16 & 17]
Figure 16
Figure 17
The light in figure 16 is relatively flat compared to the light in figure 17, which looks more directional. Another benefit is that the bride's eyes and facial features stand out more with the LitePanel bounce fill. [figures 16 & 17]
The 5'n1 Reflector
When you need to travel with less equipment, you can substitute your LitePanel system with the Photoflex 42" MultiDisc 5'n1 Kit, which features 5 collapsible reflectors.
Below, you can see the set-up and results of using the more compact MultiDisc gold reflector. [figures 18, 19 & 20]
Figure 18
Figure 19
Figure 20
One of the primary advantages to using both the LitePanel Kit and the 5'n1 MultiDisc Kit is that you have the ability to use different reflective fabrics. The series below shows the results with the White, Silver, and Gold fabrics. [figure 21]
Figure 21
Conclusion
As we've seen in this lesson, managing outdoor lighting situations can be easy if you have the right tools. Note that this lesson has only touched on the basics of additive lighting. To see an extended version of this lesson, which includes techniques for subtractive lighting, sign up for a Web Photo School membership today.
Remember to experiment with your lighting, and above all, have fun!
Lighting Equipment
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