Here is a list of reasons why I think new photographers should learn photography with a 50mm lens. If you’re not brave enough to use the exclusively, the least you can do is make sure this valuable item isn’t missing from your gear bag.
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Versatility
This is a focal length that you can use to shoot a lot of stuff. You can photograph portraits, and I believe that’s what most people have in mind when they think of this lens, but you can also use it for certain landscapes, indoors sporting events and lot of other stuff you might not think of using it for at first.
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Price
Most 50mm lenses are either comfortably affordable or dirt cheap. When I say this I mean the fast f1.4 versions and the all-time classic f1.8. The later one should be in every photographer’s kit, even if they don’t use it. At less than 100 USD, it’s hard to beat.
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Optical performance
It’s very hard to find something so close to professional optical quality and sharpness anywhere near the price range of a 50mm lens. And, again, I’m talking about the “less bright” versions. The reason for performance and price ratio is that they are relatively easy and cheap to build. It’s one of those success recipes where you put in a little and get back a lot.
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Size
Most 50mm lenses are small and light, which makes them a lot of fun to carry and shoot. Even the notorious Canon 50mm f1.2L is a feather compared to a standard zoom. Apart from the obvious comfort advantages, the small size often lets you get away unseen.
Recommended Cameras:
Nikon D500 | Nikon D3300 | Canon EOS Rebel T5 | Sony A7RII | Canon 7D Mark II
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Perspective
The angle of view of a normal 50mm lens comes close to that of the human perspective .This can give a natural look for a number of types of photography.
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Speed
By fast I mean with a wider aperture that f2.8. As I’ve mentioned before, the technical design of a 50mm f1.8 isn’t all that complicated or difficult to produce. So even the least bright 50mm lens can still get you to shoot only in available light where a pro zoom simply wouldn’t handle it. The width of aperture goes as low as f0.95, but don’t think you’ll find any of those at your local dealer anytime soon.
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They make you try harder
Unlike the privilege of zooming in and out by standing still, with a fixed lens you have to do the zooming with your feet. For a beginner, that might sound inconvenient or old school. The fact however is that even if it might seem like an old school method, it’s one of the best ways to learn composition like a pro. The more limits you have, the harder you have to think to compensate and come up with a solution, and that is something that zoom lenses take away from aspiring photographers.
Also Read: 41 REASONS WHY YOU SHOULDN’T DATE A PHOTOGRAPHER
Recommended Reading:
- 2013 Photographer's Market: The Most Trusted Guide to Selling Your Photography
- How to Create Stunning Digital Photography
- Best Business Practices for Photographers
- The Fast Track Photographer Business Plan: Build a Successful Photography Venture from the Ground Up
- Group Portrait Photography Handbook
- 500 Poses for Photographing Women
- The Best of Family Portrait Photography: Professional Techniques and Images
- 500 Poses for Photographing Group Portraits
- Selling Your Photography: How to Make Money in New and Traditional Markets
- Starting Your Career as a Freelance Photographer
- Photographer's Survival Manual: A Legal Guide for Artists in the Digital Age
- Legal Handbook for Photographers: The Rights and Liabilities of Making Images
- Taking Stock: Make money in microstock creating photos that sell
- Going Pro: How to Make the Leap from Aspiring to Professional Photographer
Image credit: Romko / 123RF Stock Photo