Leilanee wrote: What aperture are you shooting at? I guess with 4.5-5.5 you can't really go wrong, but I find when I shoot at really low apertures (1.8-2.0), the focus can be relatively good overall, but a bit off when you look close enough
garyrhook wrote: ...and your shutter speed?
Those all look like camera motion blur to me. Not sure why you are using AF-C, but the fact that the background (in the first one) is just as blurry as the goat says that AF-C isn't buying you anything.
I use spot focusing (so I can always pinpoint an eye) and a shutter speed of at least 1/250s. Faster if there's a lot of light, or I crank up the ISO a bit to get my shutter speed where it needs to be. The shot of a seagull in my portfolio here on PT was accomplished using that technique.
As for critique, get down on the ground so you're level with your subject. Wear your grubbies.
Takennnn wrote: All of those photos were shot around 1/200th up to 1/300th of a second. Which should freeze their action as much as possible. Also, do you shoot AF-C with spot-focusing? I imagine AF-S wouldn't work well because you would have to minutely adjust focus every time the goat flinches. Because of fast shutter speeds I'm not certain what my issue really would be. It could be that my focus was changing at the time, although unlikely. I will give AF-C single spot a go and see how that works out. It could be the problem./quote]
That's not really that fast of a shutter speed. It can be adequate, but quick movement can still be recorded as blur.
I never use AF-C. That's for tracking (i.e. following a moving car or rider). I use AF-A, spot focusing and matrix metering (to read the light level in the entire image). And I will not set my focuse before firing the shutter in situations like this. Here is where you want good technique: find your focus point (an eye, as I stated, e.g.) and cleanly and quickly press the shutter button while not moving. If you can keep from introducing shake/movement, you can set the camera to compensate for subject movement. And as for technique, I like VR but I don't rely upon it. My Tamron lens doesn't have it so I've had to work on my skills. Turn off VR to force yourself to do that?
As an example, since we're discussing goats: the first image is with LR processing only, to show you what you can get from your camera (our cameras use the same sensor). 1/500s, f/3.2, 75mm, ISO 100:
The second image is with some PS processing to sharpen.
garyrhook wrote:
Takennnn wrote: All of those photos were shot around 1/200th up to 1/300th of a second. Which should freeze their action as much as possible. Also, do you shoot AF-C with spot-focusing? I imagine AF-S wouldn't work well because you would have to minutely adjust focus every time the goat flinches. Because of fast shutter speeds I'm not certain what my issue really would be. It could be that my focus was changing at the time, although unlikely. I will give AF-C single spot a go and see how that works out. It could be the problem./quote]
That's not really that fast of a shutter speed. It can be adequate, but quick movement can still be recorded as blur.
I never use AF-C. That's for tracking (i.e. following a moving car or rider). I use AF-A, spot focusing and matrix metering (to read the light level in the entire image). And I will not set my focuse before firing the shutter in situations like this. Here is where you want good technique: find your focus point (an eye, as I stated, e.g.) and cleanly and quickly press the shutter button while not moving. If you can keep from introducing shake/movement, you can set the camera to compensate for subject movement. And as for technique, I like VR but I don't rely upon it. My Tamron lens doesn't have it so I've had to work on my skills. Turn off VR to force yourself to do that?
As an example, since we're discussing goats: the first image is with LR processing only, to show you what you can get from your camera (our cameras use the same sensor). 1/500s, f/3.2, 75mm, ISO 100:
The second image is with some PS processing to sharpen.
Upon doing some more research into AF-A and AF-C. The D800 classes AF-A under AF-C, so I was mistaken when I mentioned AF-C I was actually using one of the many modes the D800 has to offer for AF-A. I'll try to bring up my shutter speeds the next time I try to take photos such as this. When I look at the EXIF data, It looks like I was shooting at ISO of 100... which is lower than my typical ISO by an entire stop. Right now I'll crack my focusing problems up to be exactly what you mentioned, camera blur from one of a few things. I'll see what happens next time I run into a situation like this. I'll be in touch if I continue to run into problems. Thanks Gary!
A bit off topic, but can I ask how you do the photoshop processing to selectively sharpen the image?
garyrhook wrote: Oh, dang, I got confused on who has which camera. Ignore the remark about the same sensors. Your D3200 has more MP than my D5100. And of course you are using a D800. I knew that.
Re: ISO. I know it's not fashionable, but ISO is usually the last thing I worry about. I set my aperture and consider my shutter speed first, then modfiy ISO to suit. This comes after a lot of practice in various situations to know what aperture I prefer, and what shutter speed will be required to get what I want. In bright daylight I'm usualy at 100 and a ridiculously short shutter, since I prefer to shoot with a wide aperture.
Sharpening: I sharpen irises in LR to push exposure, clarity saturation and sharpness. I also try to even them out somewhat if one is shadowed, or darker, than the other. If I have an obvious double catchlight on a serious image I will remove one of them in PS.
In PS I am currently using Topaz Labs Clarity and Detail, but I think that image used high-pass filter sharpening, which is, IMO, a great technique. I like it much better than anything else I've found (until Detail). I I sharpen on a separate layer and use mask to enable the sharpened parts where I want them. Here, it would be the entire goat's head and neck. For humans it's usually just eyes/eyelashes and lips/teeth.
If you get onto the Topaz Labs mailing list, they usually run a 50% off special (on just one of their plugins) every month or every other month. I picked up Detail for $15 this way. Very glad I did; it's quite nice.
Camera | Nikon Corporation Nikon D800 |
Lens | |
Focal | 300 mm |
Shutter | 1/6400 sec |
Aperture | f/5.6 |
ISO | 400 |
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