Using the right tool for the job is always a good idea, no matter what the job may be. But when it comes to
shooting portraits
, choosing the right lighting gear is more than just a good idea; it's the difference between a good shot and a great shot. The even, natural wrapping light produced by the Photoflex® LiteDome®, and the power produced by the DualFlash, is an ideal choice for a main light in indoor portraiture. This lesson examines how best to use the Photoflex® Medium LiteDome DualFlash kit for creating classic glamour portraits. |
Figure 1 | The medium LiteDome DualFlash system is great for getting more power from your StarFire &trade: flash. Or you can dial down your power settings to obtain faster recycle times to catch better action. Adding the Photoflex® FlashFire&trade: wireless trigger/receiver gives your setup better versatility and control. Also, if you set your second flash to slave mode you only need one Wireless receiver to trigger both StarFire flashes. [figure 1] |
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Figure 6 | After adding the second LiteDome, we noticed that we were getting some undesirable light spill onto the background. Wanting to better control the lighting on the set, we decided to add a Grid to the face of the Medium LiteDome. [figure 6] |
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Figure 11 | Because of the placement of our background light there was a possibility that our slave feature may not catch enough light to fire every time. To fix this potential problem and maintain versatility in our set we decided to add a Photoflex® FlashFire Wireless receiver to the StarFlash®. [figure 11] |
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Figure 14 | After placing the LitePanel Kit into the set, we could see much more detail in the shadow areas, which created a better lighting contrast ratio for our glamour portrait. [figure 14] |
Figure 16 | Color Balance As with any studio shot, its important to make sure your color balance is optimal. The best and easiest way to do this is to place a QuikDisc® into the set, record a shot, and then use that image later in post-production to calibrate the color of the images. [figures 16] |
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