Sleven wrote: i might be too critical of myself but when i review photos i have taken. the photos look good but i view actual pixels and think the image is "soft" some could be camera movement, maybe the "kit lens" isn't getting the best result.
does anyone else view actual pixels and feel disappointed, or am i overanalyzing?
Scotty wrote:
Sleven wrote: i might be too critical of myself but when i review photos i have taken. the photos look good but i view actual pixels and think the image is "soft" some could be camera movement, maybe the "kit lens" isn't getting the best result.
does anyone else view actual pixels and feel disappointed, or am i overanalyzing?
The farther you zoom in, the worse quality you're going to get. Stop pixel peeping
Sleven wrote:
cwightmanphotos wrote: could be the kit lens. Usually kit lenses are cheap, not made with good glass.
Really? Damn. I can't afford a new lens right now.
arkady001 wrote:
Sleven wrote:
cwightmanphotos wrote: could be the kit lens. Usually kit lenses are cheap, not made with good glass.
Really? Damn. I can't afford a new lens right now.
There's a reason it's called a 'kit' lens - usually they're sold as part of a 'kit' with a camera body for a combined total of under $1,000 (or £ or €)...
Pro-spec lenses usually retail for about $£€1500 or more - there's a reason we pay that much - they're good.
Usually much better than a kit lens - if kit lenses were that good we wouldn't pay for the higher priced glass...
Joves wrote: Yeah the kit lenses are pretty sad for the most part now. I remember when I bought my Pentax MX the kit lens was the 50 1.8, which wasnt the best 50 but it was decent. But the lenses like the bodies are merely tools and can actually render good images if you know where their sweet spots are.
arkady001 wrote:
Joves wrote: Yeah the kit lenses are pretty sad for the most part now. I remember when I bought my Pentax MX the kit lens was the 50 1.8, which wasnt the best 50 but it was decent. But the lenses like the bodies are merely tools and can actually render good images if you know where their sweet spots are.
Today those 'rubbish' 50-mil lenses are the fabulous 'Nifty-Fifties'... and like you say, can render excellent results in the hands of someone who knows what they're doing.
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