MLKstudios wrote: You cut off it's feet!
Good colors though.
Karl Wertanen wrote: I agree w/MLK... you cut the feet off. It's just a bit too tight of a composition for me. Tightly framed compositions are good but just think it's too tight. I think there's more to be told by the falls surroundings... Even if you opened up just 15% wider.
Good shutter drag though. It's not too slow or too fast.
Karl Wertanen wrote: No problem.. you asked so......
That would have had to have been a hard edge grad ND. I dont have any of those but need to get some asap. I only have the soft edge for blending.
MLKstudios wrote: I was anthropomorphizing your waterfall. I saw it as two wet legs hanging over the edge, with feet dangling on the ends, and the toes were cut off.
A full critique will cost ya. I charge $100/hr for portfolio reviews.
But, since this is your first one...
I see two combined pics, in a good way. If you were to draw your comp on a piece of paper, I bet you'd start with that strong diagonal line from the upper left corner. That's the line that cuts through the two pictures. Above is a bright sunny forrest picture and below is your waterfall picture.
The good thing, like nature always does for us, is they work together well. I also like, the shutter speed you chose (that Karl mentioned). It has just the right amount of "flow". More gets too blurry.
Another thing I like is that due to the slow shutter, you needed a small aperture, and the focus in the trees (the upper portion) is attractive (to me).
To agree with Karl one more time -- you cut off the feet! Not that you should always do a thirds rule picture, but I prefer to use the term "breathing room" instead. Give your subject some room to breathe. A bit of air around it.
You can break that rule too, when you want to add tension to the image. Ex. someone looking out of the frame. Everyone online will blast you for it, but there are times when it works.
The last thing I would look for are the highlight and shadow details. Well, not always LAST. But, I want you to get to really looking, as Shadow does in his magic editing mode. He pushes to the limits of the medium. You can see into his shadows.
Anyway, thats a quick CC (Constructive Criticism). I tell you how I see what you did -- using line, shapes, colors (includes tones) and textures. Those are the building blocks of all art.
Any suggestions I offer are open to change. I often let my students tell me WHY they wanted it their way and not mine. Convince me, and I'll believe you.
Later I might ask about the emotional and psychological elements in the image. That's after your work becomes more personal. The camera is not just your eyes (how you see things), it is also your voice, or how you speak to the world.
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