When Robert Burley attended the demolition of a Kodak factory in 2007, he watched people prepare to capture the building’s final moments using digital cameras and smartphones.
He was there with his 4-by-5-inch field camera, composing the scene from under a black cloth before exposing the sheet film. The antiquated process was slow and deliberate.
“I knew I was witnessing history,” Burley says. “These remarkable events were shocking, sad and ironic all at once.”
In a matter of seconds, the former Kodak factory was reduced to dust.
Since 2005, Burley has been documenting what he sees as the demise of analog photography in the transition to the digital age.
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