MLKstudios wrote: You have many choices. Most pros use Manfrotto or Gitzo. Gitzo is more expensive and has a reputation for their lightweight carbon models used by outdoor photographers (i.e. wildlife).
There are also really nice wooden tripods, made by Ries and Berlebach. They are lightweight, look pretty and have absorption properties similar to carbon fiber.
It really depends if you plan on using it mostly in studio (you can get a heavy one) or want something light to travel with.
Matthew
Those that can do, those that can't teach. Those that can't teach, manage.bhowdy wrote: Matthew,
I humbly disagree on the ballhead .... I actually owned the model that you linked to .... Now use a Whimberly II Gimbal head, awesome!
MLKstudios wrote: I have a couple Series 5 aluminum Gitzos I use in studio. The big one holds an 8x10 Sinar Norma. Many Bogen/Manfrottos with a variety of heads. A few Tiltalls, the original and a Leitz model. And numerous others, from a 100 year old Ries to sticks used for very heavy movie cameras (up to 350 lbs or so).
The Manfrotto is probably the best "starter" tripod. You may never need anything else. For $300-400 you can get a good set of legs with a nice ball or pan-tilt head (or both).
When they get to your level bh, then Arca Swiss!
www.precisioncameraworks.com/Media/monoball.pdf
Matthew
Rob pix4u2 wrote: I use a Bogen aluminum tripod and have had it for around 18 years now -a little heavy but worth the weight in windy conditions. Have manfrotto quick release plateson the ballhead as well.
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