Best of the Best tripod

12 years 11 months ago #80181 by ko98
The current tripod I have is just the higher end from what was sold at Best Buy. I am ready to upgrade, but not sure what to buy. My budget is around $500. So what can I get around $500 that will do me well?


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12 years 11 months ago - 12 years 11 months ago #80187 by MLKstudios
You have many choices. Most pros use Manfrotto or Gitzo. Gitzo is more expensive and has a reputation for their lightweight carbon models used by outdoor photographers (i.e. wildlife).

There are also really nice wooden tripods, made by Ries and Berlebach. They are lightweight, look pretty and have absorption properties similar to carbon fiber.

It really depends if you plan on using it mostly in studio (you can get a heavy one) or want something light to travel with.

Matthew :)

Matthew L Kees
MLK Studios Photography School
www.MLKstudios.com
[email protected]
"Every artist, was once an amateur"

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12 years 11 months ago - 12 years 11 months ago #80925 by bhowdy

MLKstudios wrote: You have many choices. Most pros use Manfrotto or Gitzo. Gitzo is more expensive and has a reputation for their lightweight carbon models used by outdoor photographers (i.e. wildlife).

There are also really nice wooden tripods, made by Ries and Berlebach. They are lightweight, look pretty and have absorption properties similar to carbon fiber.

It really depends if you plan on using it mostly in studio (you can get a heavy one) or want something light to travel with.

Matthew :)


Tell us what types of photography you do most often and any future plans (larger lens, etc.) and we can better offer an opinion. I agree with Matthew's comments as a place to start though. I have a smaller Manfrotto for hiking, landscapes ... mostly for a pro body and lens to 70-200 range, and then a much larger Gitzo tripod for my wildlife combo (pro body and 400 & 500mm lenses)

Bob Howdeshell

"If I could tell the story in words, I wouldn't need to lug around a camera" ~ Lewis Hine

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12 years 11 months ago - 12 years 11 months ago #80943 by MLKstudios
I have a couple Series 5 aluminum Gitzos I use in studio. The big one holds an 8x10 Sinar Norma. Many Bogen/Manfrottos with a variety of heads. A few Tiltalls, the original and a Leitz model. And numerous others, from a 100 year old Ries to sticks used for very heavy movie cameras (up to 350 lbs or so).

The Manfrotto is probably the best "starter" tripod. You may never need anything else. For $300-400 you can get a good set of legs with a nice ball or pan-tilt head (or both).

When they get to your level bh, then Arca Swiss!

www.precisioncameraworks.com/Media/monoball.pdf

Matthew :)

Matthew L Kees
MLK Studios Photography School
www.MLKstudios.com
[email protected]
"Every artist, was once an amateur"

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12 years 11 months ago #80989 by bhowdy
Matthew,
I humbly disagree on the ballhead .... I actually owned the model that you linked to .... Now use a Whimberly II Gimbal head, awesome!

Bob Howdeshell

"If I could tell the story in words, I wouldn't need to lug around a camera" ~ Lewis Hine

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12 years 11 months ago #80997 by MLKstudios

Matthew L Kees
MLK Studios Photography School
www.MLKstudios.com
[email protected]
"Every artist, was once an amateur"

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12 years 11 months ago #81209 by bhowdy
That's the one Matthew

Bob Howdeshell

"If I could tell the story in words, I wouldn't need to lug around a camera" ~ Lewis Hine

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12 years 11 months ago - 12 years 11 months ago #81323 by MLKstudios
I don't usually work with really long lenses. The longest I have are the 70-200mm for Nikon and a Leitz 180mm f/2 with a 2X APO. The 180mm is a monster piece of glass to handhold. The 70-200mm isn't that bad, it balances well with a D700 (or F6) and has VR.

That looks like a really good tool for long lenses. Hope to try it out sometime.

Matthew :)

Matthew L Kees
MLK Studios Photography School
www.MLKstudios.com
[email protected]
"Every artist, was once an amateur"

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12 years 11 months ago #81843 by Baydream

bhowdy wrote: Matthew,
I humbly disagree on the ballhead .... I actually owned the model that you linked to .... Now use a Whimberly II Gimbal head, awesome!

Those that can do, those that can't teach. Those that can't teach, manage.

Shoot, learn and share. It will make you a better photographer.
fineartamerica.com/profiles/john-g-schickler.html?tab=artwork

Photo Comments
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12 years 11 months ago - 12 years 11 months ago #81851 by MLKstudios
I'm not in the union. Just happen to be a natural born pedagogue. You should respect us teachers! We help make this a better world.

:)

Matthew L Kees
MLK Studios Photography School
www.MLKstudios.com
[email protected]
"Every artist, was once an amateur"

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12 years 11 months ago #81883 by Rob pix4u2
I use a Bogen aluminum tripod and have had it for around 18 years now -a little heavy but worth the weight in windy conditions. Have manfrotto quick release plateson the ballhead as well.

Remember to engage brain before putting mouth in gear
Rob Huelsman Sr.
My Facebook www.facebook.com/ImaginACTIONPhotography

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12 years 11 months ago #89111 by digitalpimp

MLKstudios wrote: I have a couple Series 5 aluminum Gitzos I use in studio. The big one holds an 8x10 Sinar Norma. Many Bogen/Manfrottos with a variety of heads. A few Tiltalls, the original and a Leitz model. And numerous others, from a 100 year old Ries to sticks used for very heavy movie cameras (up to 350 lbs or so).

The Manfrotto is probably the best "starter" tripod. You may never need anything else. For $300-400 you can get a good set of legs with a nice ball or pan-tilt head (or both).

When they get to your level bh, then Arca Swiss!

www.precisioncameraworks.com/Media/monoball.pdf

Matthew :)



How would you compare the Acra Swiss and the Acratech?


Photo Comments
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12 years 11 months ago #90961 by Joe Photo Daddy

Rob pix4u2 wrote: I use a Bogen aluminum tripod and have had it for around 18 years now -a little heavy but worth the weight in windy conditions. Have manfrotto quick release plateson the ballhead as well.


How tall is that one?


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