full frame or not

13 years 6 months ago #4612 by fotoXopher
We have a Canon EOS-1D Mark 2 in the shop now and I have been wanting a full frame sensor, or at least I think I do. Here’s my background. I have been shooting models a little but I mainly do automotive and landscape/cityscape. I like to blow pictures up, a lot. I have been shooting Olympus for 8 years now, first digital camera set-up. I would sell all my Olympus stuff including the OM-stuff and make a complete system change to Canon. For my style of shooting do I really need a full frame camera and is this camera really worth leaving what I know and changing systems?


,
13 years 5 months ago #6000 by CanonKid
If you can afford it, why not? That is a great camera. If I had the spare cash I would move to a full frame myself.

Canon 7D, 15-85mm, 18-55mm, 70-200mm, 100mm Macro, Sigma 120-300mm, Speedlite 430EX II

A bad day at the race track is better than a good day in the office

Photo Comments
,
13 years 5 months ago #6088 by Yasko
If you don't mind giving up a compact 4/3 Olympus for a much larger full frame system, then definitely go for it. The larger sensor will give much better IQ all around, and allows for very wide angle shots for your cityscapes and landscapes.


,
13 years 5 months ago #6447 by KVRNut
Go full frame. You'll find that you'll get better results on prints due to having to enlarge a little less due to a larger negative (I'm a film user, okay? :lol: ). If I had no choice but to go digital, I wouldn't think twice of going full frame in either 35mm or medium formats. For my styles of photography, it would be worth the cost.


,
13 years 5 months ago #7564 by mfharper
If you go full frame you will never look back. I've got a canon 50D, and 7D. 6 months ago picked up a used 5D on a whim and have not shot with the crop cameras since. I miss some of the features on the newer cameras, but the IQ out of the full frame 5D is just amazing. I shoot mostly portraits and I don't think you can beat a full frame sensor for that type of photography.


,
13 years 4 months ago #8753 by Scotty
If you're going full frame and you are doing landscape/architecture, get a tilt-shift lens. It corrects the focus plane, and also allows you to open up more, and still retain focus.

5d mark II if you're going to blow up often.

When the last candle has been blown out
and the last glass of champagne has been drunk
All that you are left with are the memories and the images-David Cooke.

Photo Comments
,
13 years 4 months ago #9306 by Stealthy Ninja

Scotty wrote: If you're going full frame and you are doing landscape/architecture, get a tilt-shift lens. It corrects the focus plane, and also allows you to open up more, and still retain focus.

5d mark II if you're going to blow up often.


LOL I was gonna say this exactly.
,
13 years 1 month ago #32759 by rnav8r
I have the 50D and 5DII.....the 50d with my 150-500 sigma lens is great for wildlife - the two are never apart now! But the 5DII is in a different league...especially with respect to IQ and low light performance..it is ASTONISHINGLY good at high ISO. Get one. Dont look back. :cheers: :cheers:

Naval aviator by chance, photographer by choice!
,
13 years 1 month ago #32762 by chasrich
I just made the jump this morning from a Olympus to a Canon 60D. I'm still afraid my drool is going to drown this new camera before I have mastered it. I still have my two Olympus cameras but only as backup now. I vote go for it!

“Amateurs worry about equipment, professionals worry about money, masters worry about light, I just make pictures… ” ~ Vernon Trent
,
13 years 1 month ago #36530 by H0U53
Go all the way....full frame. If I could afford too, I would.


,
13 years 1 month ago - 13 years 1 month ago #36680 by Stealthy Ninja

KVRNut wrote: Go full frame. You'll find that you'll get better results on prints due to having to enlarge a little less due to a larger negative (I'm a film user, okay? :lol: ). If I had no choice but to go digital, I wouldn't think twice of going full frame in either 35mm or medium formats. For my styles of photography, it would be worth the cost.


Larger negative?! That's not the way it works with digital. FF or crop doesn't matter, the sensor size doesn't make the "negative" bigger. It's the MP that makes a bigger negative (so to speak).

The advantages of FF are:
It covers more of the lens circle, so any given focal length will be wider on FF than on a crop.
They generally give more details
The apparent DOF is shallower
For a given MP/ISO amount they usually have lower noise and more uniform noise

The disadvantages of FF are:
Less "reach"
They show more of the corners of the lens (usually the least sharp part)
Greater possibility of vignetting.
The apparent DOF is shallower (you sometimes want more DOF ;) ).
,
13 years 2 weeks ago #42992 by dlambert
Full-frame is where you want to be for portraits. The larger sensors on these cameras capture more light, and you'll generally find that per-pixel IQ is better than a crop-sensor camera.

Take a look at the relative sizes of DSLR sensors to see what we're talking about.
,
13 years 2 weeks ago #43036 by Baydream

Stealthy Ninja wrote:

KVRNut wrote: Go full frame. You'll find that you'll get better results on prints due to having to enlarge a little less due to a larger negative (I'm a film user, okay? :lol: ). If I had no choice but to go digital, I wouldn't think twice of going full frame in either 35mm or medium formats. For my styles of photography, it would be worth the cost.


Larger negative?! That's not the way it works with digital. FF or crop doesn't matter, the sensor size doesn't make the "negative" bigger. It's the MP that makes a bigger negative (so to speak).

The advantages of FF are:
It covers more of the lens circle, so any given focal length will be wider on FF than on a crop.
They generally give more details
The apparent DOF is shallower
For a given MP/ISO amount they usually have lower noise and more uniform noise

The disadvantages of FF are:
Less "reach"
They show more of the corners of the lens (usually the least sharp part)
Greater possibility of vignetting.
The apparent DOF is shallower (you sometimes want more DOF ;) ).

:goodpost: Excellent summary of the salient points.

Shoot, learn and share. It will make you a better photographer.
fineartamerica.com/profiles/john-g-schickler.html?tab=artwork

Photo Comments
,
13 years 2 weeks ago #43077 by photobod
I actually think you had already answered your own question, sounds like it is what you want to do, in which case go for it.:banana:

www.dcimages.org.uk
"A good photograph is one that communicate a fact, touches the heart, leaves the viewer a changed person for having seen it. It is, in a word, effective." - Irving Penn

,

817.3K

241K

  • Facebook

    817,251 / Likes

  • Twitter

    241,000 / Followers

  • Google+

    1,620,816 / Followers

Latest Reviews

The Canon EOS R100 is an entry-level mirrorless camera introduced in 2023. But just because it’s an entry-level camera doesn’t mean it’s a bare-bones camera. Find out why in this review!

Apr 22, 2024

Nikon’s retro-looking Nikon Zfc is anything but retro. Under its classic body is a host of features and amenities that make it a worthwhile compact mirrorless camera for 2024.

Apr 15, 2024

The Canon EOS R50 is one of the newest R-system cameras from Canon. Is it worth your money? Find out all the details you need to know in this comprehensive review.

Apr 10, 2024

The Sony FE 70-200mm f/2.8 GM OSS II is Sony’s flagship mirrorless zoom lens. As such, it’s loaded with features and has a top-shelf build quality that makes it a top pick!

Mar 27, 2024

Latest Articles

Using leading lines in photography helps improve the composition by drawing viewers in and leading their eye from the foreground to the background. Explore some fine examples of this in this guide!

Apr 24, 2024

The Insta360 has one of the best lineups of action cams and 360-degree cameras. With these Insta360 accessories, you can elevate your photography and videography game!

Apr 24, 2024

Creating impactful photos of landscapes depends on many factors, not the least of which is your talent behind the lens. This guide explores other elements required for the best product.

Apr 23, 2024

The Canon EOS R100 is an entry-level mirrorless camera introduced in 2023. But just because it’s an entry-level camera doesn’t mean it’s a bare-bones camera. Find out why in this review!

Apr 22, 2024

Are you ready to upgrade your camera? Before buying new, you might consider the value of purchasing used gear to save money.

Apr 18, 2024

The Olympus OM-D E-M10 Mark IV is a micro four thirds camera released in 2020. It’s an entry-level system along with the OM-D E-M5 Mark III. Use this guide to determine which one is best for you!

Apr 17, 2024

Blue hour photography might not be as well known as golden hour photography, but it is every bit as good a time to create epic images of landscapes. Learn how in this quick tutorial!

Apr 17, 2024

Nikon’s retro-looking Nikon Zfc is anything but retro. Under its classic body is a host of features and amenities that make it a worthwhile compact mirrorless camera for 2024.

Apr 15, 2024