Scotty wrote: If you're going full frame and you are doing landscape/architecture, get a tilt-shift lens. It corrects the focus plane, and also allows you to open up more, and still retain focus.
5d mark II if you're going to blow up often.
KVRNut wrote: Go full frame. You'll find that you'll get better results on prints due to having to enlarge a little less due to a larger negative (I'm a film user, okay? ). If I had no choice but to go digital, I wouldn't think twice of going full frame in either 35mm or medium formats. For my styles of photography, it would be worth the cost.
Excellent summary of the salient points.Stealthy Ninja wrote:
KVRNut wrote: Go full frame. You'll find that you'll get better results on prints due to having to enlarge a little less due to a larger negative (I'm a film user, okay? ). If I had no choice but to go digital, I wouldn't think twice of going full frame in either 35mm or medium formats. For my styles of photography, it would be worth the cost.
Larger negative?! That's not the way it works with digital. FF or crop doesn't matter, the sensor size doesn't make the "negative" bigger. It's the MP that makes a bigger negative (so to speak).
The advantages of FF are:
It covers more of the lens circle, so any given focal length will be wider on FF than on a crop.
They generally give more details
The apparent DOF is shallower
For a given MP/ISO amount they usually have lower noise and more uniform noise
The disadvantages of FF are:
Less "reach"
They show more of the corners of the lens (usually the least sharp part)
Greater possibility of vignetting.
The apparent DOF is shallower (you sometimes want more DOF ).
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