I would probably leave the dark tree but crop out everything to the right of it so there is only the dark tree on the right. I would also crop some of the left and the bottom out. There is nothing going on in those areas that supports the subject. That's my 2 cents worth.Baydream wrote: I like the framing and reflections. I think I would crop out the dark tree on the right. It is too distracting.
icepics wrote: Join the club! I'm still learning much about digital but have shot film for years... I think whichever you use, getting what you want in-camera, at the time you're taking the photo can work better than trying to change it later.
I agree the tree on the right isn't doing much in the image; it could work to help frame the scene (the bridge). I imagine you'll be out shooting this subject again; I'd try reframing it a bit. Maybe step forward (if possible!), or to the left, or try a different lens, to get that tree where you want it to be.
Also it can help to notice your background, I learned over time to make my eye move around and see everything in the viewfinder. There's a little signpost way in the background, it might enhance the photo just a bit to find a vantage point where that won't show so much.
Good 'seeing' the photo. I've done that sometimes, don't see quite what I want and walk around a bit and then turn and see it. I like this photo too, some editing would get you a real nice image, and it might be one of those that you'll go to again, looks like it would be worth it.
photobod wrote: Its a workable composition its just the flat light that lets it down, try it at dawn or dusk, the golden light times.
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