56SN0 wrote: I wonder which is better between 2 ways in case of a difficult light in photography.
1) Try to underexpose a little the photo so that all the highlights in the picture are safe and not burned.... but the shadows will be too black.
56SN0 wrote: 2) Try to overexpose a little so that the shadows will be transparent but the highlights will be white.
Henry Peach wrote:
56SN0 wrote: I wonder which is better between 2 ways in case of a difficult light in photography.
1) Try to underexpose a little the photo so that all the highlights in the picture are safe and not burned.... but the shadows will be too black.
That's best for transparency film.
56SN0 wrote: 2) Try to overexpose a little so that the shadows will be transparent but the highlights will be white.
That's best for print film.
With digital you have to worry about both. If a compromise needs to be made which way to go will depend on the subject, the goal of the photographer, and processing options.
DestinDave wrote: In the film days the saying was "Expose for the shadows, develop for the highlights"
Now, with digital it's "Expose for the highlights, develop for the shadows" or "Expose to the right"..
There are a few ideas, depending on the dynamic range (dark to light values) of the scene you're shooting..
Always, if possible, shoot in RAW - you can make wonderful adjustments later..
If the dynamic range is beyond the capability of your camera's sensor, shoot a set of bracketed images (+/- a half or 2/3 stop) and blend them in post-processing..
Use fill-flash to add light to very dark areas..
Use neutral density filters while shooting to bring down strong highlight areas..
Dodging and burning areas of the image..
Cropping poorly exposed areas that can't be "fixed" conventionally..
Apply layer masks and gradients to lighten or darken areas needed..
Here's a very good (but lengthy) article:
www.webdesign.org/photoshop/photoshop-ba...-tutorial.15970.html
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