Alfred007 wrote: I like the creative control that I get from full manual. Aperture priority is nice, and serves its purpose
You can get the same creative control for the most part in aperture priority. Exposure compensation allows for that.
So you're suggesting that, instead of futzing with the aperture control, it's more convenient to futz with exposure compensation?
I don't think that makes any sense at all. On my camera exposure compensation is a pain to get to, to I never use it. Easier to stick to the basic triangle, thankyouverymuch.
Mine is right next to where you control aperture.
Unless you're shooting in a studio(or using a lot of flash in general) or doing pro sports, shooting in manual is like drinking water with a spoon instead of using a glass.
When the last candle has been blown out
and the last glass of champagne has been drunk
All that you are left with are the memories and the images-David Cooke.
Alfred007 wrote: I like the creative control that I get from full manual. Aperture priority is nice, and serves its purpose
You can get the same creative control for the most part in aperture priority. Exposure compensation allows for that.
So you're suggesting that, instead of futzing with the aperture control, it's more convenient to futz with exposure compensation?
I don't think that makes any sense at all. On my camera exposure compensation is a pain to get to, to I never use it. Easier to stick to the basic triangle, thankyouverymuch.
Mine is right next to where you control aperture.
Unless you're shooting in a studio(or using a lot of flash in general) or doing pro sports, shooting in manual is like drinking water with a spoon instead of using a glass.
No no, shooting Manual is like drinking water out of a glass. Shooting aperture priority is like drinking water out of a sippy cup.
Alfred007 wrote: I like the creative control that I get from full manual. Aperture priority is nice, and serves its purpose
You can get the same creative control for the most part in aperture priority. Exposure compensation allows for that.
So you're suggesting that, instead of futzing with the aperture control, it's more convenient to futz with exposure compensation?
I don't think that makes any sense at all. On my camera exposure compensation is a pain to get to, to I never use it. Easier to stick to the basic triangle, thankyouverymuch.
Mine is right next to where you control aperture.
Unless you're shooting in a studio(or using a lot of flash in general) or doing pro sports, shooting in manual is like drinking water with a spoon instead of using a glass.
Shooting aperture priority is like drinking water out of a hose you can't turn off.
Alfred007 wrote: I like the creative control that I get from full manual. Aperture priority is nice, and serves its purpose
You can get the same creative control for the most part in aperture priority. Exposure compensation allows for that.
So you're suggesting that, instead of futzing with the aperture control, it's more convenient to futz with exposure compensation?
I don't think that makes any sense at all. On my camera exposure compensation is a pain to get to, to I never use it. Easier to stick to the basic triangle, thankyouverymuch.
Mine is right next to where you control aperture.
Unless you're shooting in a studio(or using a lot of flash in general) or doing pro sports, shooting in manual is like drinking water with a spoon instead of using a glass.
Shooting aperture priority is like drinking water out of a hose you can't turn off.
Bro do you even lift?
When the last candle has been blown out
and the last glass of champagne has been drunk
All that you are left with are the memories and the images-David Cooke.
The Olympus Pen E-P7 is an affordable micro four thirds mirrorless camera with 4K video capabilities, a 20.3MP sensor, and 121 focus points, making it a solid entry-level camera for beginners.
The Panasonic G9 II is a 25.2-megapixel micro four thirds camera with numerous features that make it punch out of its weight class, like 779 AF points, 5.8K video, and weather sealing.
The Fujifilm XT5 is a 40MP mirrorless camera capable of 6.2K video at 30p. With those specs, it’s an ideal choice for photographers needing a camera to pull double duty for imaging and video.
The Canon EOS R100 is an entry-level mirrorless camera introduced in 2023. But just because it’s an entry-level camera doesn’t mean it’s a bare-bones camera. Find out why in this review!
The Canon 6D Mark II might be an older DSLR, but that doesn’t mean it isn’t a good option for 2024. In fact, this budget-friendly camera is a powerhouse for stills and videos.
In this guide to the bokeh effect, you’ll learn what bokeh is and the factors involved in creating it. You’ll also explore some beautiful example images to spark your creativity with bokeh!
Upgrade your kit in 2024 with the best intermediate camera on the market! The question is, what camera fits the bill? We’ve got three top options for you to choose from in this buyer’s guide.
The best photography jobs right now are a mix of tried-and-true gigs like wedding photography and new jobs highlighting AI’s capabilities, travel, and videography.
The Olympus Pen E-P7 is an affordable micro four thirds mirrorless camera with 4K video capabilities, a 20.3MP sensor, and 121 focus points, making it a solid entry-level camera for beginners.
Starting a photography business is one thing; sustaining your business over a long period of time is another. Use the tips in this professional photography guide to build something with longevity!
The Panasonic G9 II is a 25.2-megapixel micro four thirds camera with numerous features that make it punch out of its weight class, like 779 AF points, 5.8K video, and weather sealing.
Cinematic photography is an interesting genre that combines photographic and videographic skills along with effective storytelling techniques. The result? Highly impactful images!
Scotty 5 posts
CharleyL 5 posts
Razky 4 posts
Roman Omell 4 posts
Pat White 3 posts
Ruby Grace 3 posts
TCav 3 posts
Colorado Mike 3 posts
J Photo Man 3 posts
Jim Photo 3 posts
