Go with shadows or drop in a fill light with portraits?

10 years 1 week ago #370317 by Conner
I'm sure this is going to stir up many opinions, but I'm going to ask any way.  If you are taking someones portrait and you have shadows on your models face.  Do you keep natural or go for a fill light?  I have been reading up on this and it seems there are mixed views on this.  Some say leaving the shadows gives depth to the portrait, while others say go for the fill light.  

Where do you stand?  


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10 years 1 week ago #370323 by KCook
I generally try to put in some fill.  However, the best amount of fill is tricky.  See all the articles on light ratio.

Kelly

Canon 50D, Olympus PL2
kellycook.zenfolio.com/

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10 years 1 week ago #370411 by Jim Photo
Having some shadows work for me, as long as it's not sharp shadow lines.  I like more of the soft shadows that give depth with out all the drama. 


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10 years 1 week ago #370445 by Paris Gal
Completely depends on my model and situation.  Most of the time I think I'll go for the fill light, but I do like the classic lighting poses too.  I think they have an artistic spin on portraits.   

5D mark II gripped | Canon 100L | Canon 85 1.8 | Sigma 50 1.4 | Tamron 28-75 2.8 | 580ex II | 430ex II x 2 |
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10 years 1 week ago #370557 by garyrhook
+1

It depends on the light. Shadows are a good thing, as they do, indeed, give the face depth and definition. Adding fill is about brightening the face so it's more easily seen, not about diminishing shadows. You (probably) don't want to overpower with flat light, which is only appropriate for fashion, not portraiture.


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10 years 1 week ago #370569 by Leilanee
I agree with everyone else!  It depends on whether the shadows are overpowering and your artistic intentions.


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10 years 1 week ago #370591 by Sawyer
Well I hate to copy other answers, but all of the above +1

Canon 5D Mark II | Canon 70-200mm f/2.8L IS USM | Canon 35L | Sigma 85 1.4 | Helios 44M-6 58mm(M42) | Zeiss 50mm 1.4 (C/Y) | Canon 135L | (2) 430EX II
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10 years 1 week ago #370831 by Tony Imaging
Personally I don't like harsh shadows, but depending on the artistic approach I'm after with my subject will determine the lighting direction I go.  


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10 years 1 week ago #370967 by McBeth Photography
I find that, when I can use one, a 60' shoot through umbrella is just about perfect for headshots because the wrap around light. It's like having a key light and a fill light all in one. This is something that a softbox just can't do.

It is what it is.
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10 years 1 week ago #371071 by hghlndr6

McBeth Photography wrote: I find that, when I can use one, a 60' shoot through umbrella is just about perfect for headshots because the wrap around light. It's like having a key light and a fill light all in one. This is something that a softbox just can't do.


An umbrella that big would cover my house. ;)
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10 years 1 week ago #371109 by McBeth Photography

hghlndr6 wrote:

McBeth Photography wrote: I find that, when I can use one, a 60' shoot through umbrella is just about perfect for headshots because the wrap around light. It's like having a key light and a fill light all in one. This is something that a softbox just can't do.


An umbrella that big would cover my house. ;)


Would you believe a 60" umbrella, lol...

It is what it is.
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10 years 1 week ago #371443 by Jackson Rieger
I'm not much for harsh shadows, so I would go with a fill light to reduce sharp shadows


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10 years 1 week ago #371662 by Joves
:agree:
All good advice above. What it boils down to is what effect are looking for in a given image? Then all you do is add only the amount of light you need to achieve that.


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10 years 1 week ago #371717 by Stealthy Ninja
Depends on the style.
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10 years 1 week ago #371800 by Fitch
I don't care for sharp shadows and would say a fill light would be used to at least soften things up a little.


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