SecondShooters wrote: Hey everyone, I was wondering if you have noticed that there are alot of nice cameras out there therefore alot of people have decided that they are photographers.
What do you think??
Rob pix4u2 wrote: I have noticed folks over the years who facied themselves as "Pro" level because they had a top shelf camera- I've also noticed that I am still shooting after these wanna be photographers have moved on to the next big thing in their lives. It always amazes me the number of folks who think " It's the CAMERA" that does the work- not the creative person behind the viewfinder !
His twin must live in our area. Same think. Take OK photos with his "pro level" camera and HDRs them to death (and beyond). His young friends are all 'oohs and aahs" but think his work has declined since he got the new rig.crystal wrote:
Rob pix4u2 wrote: I have noticed folks over the years who facied themselves as "Pro" level because they had a top shelf camera- I've also noticed that I am still shooting after these wanna be photographers have moved on to the next big thing in their lives. It always amazes me the number of folks who think " It's the CAMERA" that does the work- not the creative person behind the viewfinder !
A guy I know who lives in my area, has a higher end DSLR Canon. His composition is ok, but everything is off. I think he creates HDR, but in the worse way I have ever seen. He also has this habit of taking pictures with his Iphone and using an app to PP, instead of just using his Canon.
Rob pix4u2 wrote: Some where along the way to wanting to be a Pro photographer my relatives convinced me that I needed a steady income and thus a "day job" . This was in the early 1970s so that's what I pursued was a carreer that paid the bills and the rent while I happily pursued my artist dreams on the periphery. Sometime in the early 1990s I got serious enough to pursue my second career as a photographer and went Pro as a series of second jobs. Working with a mix of clients and situations i worked my way into retirement from my day job and into photography full time for a lot less income. Since that time I found myself disabled due to injuries suffered from the day job and post back surgery. Now the disability folks say that I can work part time so I have begun the arduous task of building my photography business again. I don't consider this "semi-pro" as the Nissan man suggests. I consider it working within the limits placed upon me by circumstance and fate. I still photograph and write during the hockey season covering 38 or more games per season and am building the other aspects of my career back up to doing what I love and am passionate about. I will never go back to my Nursing career even though it makes tons more income than what I can currently bring in . I make my meager "living" through the lens and am quite happy doing so as much as I am allowed. Pro photography is what you make of it, paying attention to your craft and your clients needs. Not the amount of money you make or the amount of time you are able to devote per week.
Rob pix4u2 wrote: Some where along the way to wanting to be a Pro photographer my relatives convinced me that I needed a steady income and thus a "day job" . This was in the early 1970s so that's what I pursued was a carreer that paid the bills and the rent while I happily pursued my artist dreams on the periphery. Sometime in the early 1990s I got serious enough to pursue my second career as a photographer and went Pro as a series of second jobs. Working with a mix of clients and situations i worked my way into retirement from my day job and into photography full time for a lot less income. Since that time I found myself disabled due to injuries suffered from the day job and post back surgery. Now the disability folks say that I can work part time so I have begun the arduous task of building my photography business again. I don't consider this "semi-pro" as the Nissan man suggests. I consider it working within the limits placed upon me by circumstance and fate. I still photograph and write during the hockey season covering 38 or more games per season and am building the other aspects of my career back up to doing what I love and am passionate about. I will never go back to my Nursing career even though it makes tons more income than what I can currently bring in . I make my meager "living" through the lens and am quite happy doing so as much as I am allowed. Pro photography is what you make of it, paying attention to your craft and your clients needs. Not the amount of money you make or the amount of time you are able to devote per week.
Rob pix4u2 wrote: ... I don't consider this "semi-pro" as the Nissan man suggests. I consider it working within the limits placed upon me by circumstance and fate. ...
Stealthy Ninja wrote:
Rob pix4u2 wrote: ... I don't consider this "semi-pro" as the Nissan man suggests. I consider it working within the limits placed upon me by circumstance and fate. ...
I think Nissanman was just arguing semantics. Not saying being pro/semi-pro/hobbiest etc. is something bad.
I know a certain pro (and if you knew who it was you'd never doubt my use of the word "pro" in any definition) that uses the word "hobbiest" as an insult if he doesn't think you're up to his tightly held standards.
flanagans.photography wrote: Well this prolly isn't the best thread for me to get involved in, but since I am a wannabe photographer. In my area the local kijiji ads are flooded with people jumping out of the wood works for people who want to take photos for people at discounted rate. some even free.
I have had many digital cameras in the past which were good for parties, scenery and what have you. But i am really pursuing my dream of becoming a well known photographer in my area. there was a reason that I bought the camera that i did, nikon d300s, as i wanted a serious camera with all the bells and whistles, my camera hasn't disappointed. i really like the commander mode on mine, now if i just had 350 to get the su-800 commander, then i would be really happy
Scotty wrote:
Stealthy Ninja wrote:
Rob pix4u2 wrote: ... I don't consider this "semi-pro" as the Nissan man suggests. I consider it working within the limits placed upon me by circumstance and fate. ...
I think Nissanman was just arguing semantics. Not saying being pro/semi-pro/hobbiest etc. is something bad.
I know a certain pro (and if you knew who it was you'd never doubt my use of the word "pro" in any definition) that uses the word "hobbiest" as an insult if he doesn't think you're up to his tightly held standards.
Nat geo photographers.
(jump on aim)
The Fujifilm XT5 is a 40MP mirrorless camera capable of 6.2K video at 30p. With those specs, it’s an ideal choice for photographers needing a camera to pull double duty for imaging and video.
The Canon EOS R100 is an entry-level mirrorless camera introduced in 2023. But just because it’s an entry-level camera doesn’t mean it’s a bare-bones camera. Find out why in this review!
Nikon’s retro-looking Nikon Zfc is anything but retro. Under its classic body is a host of features and amenities that make it a worthwhile compact mirrorless camera for 2024.
The Canon EOS R50 is one of the newest R-system cameras from Canon. Is it worth your money? Find out all the details you need to know in this comprehensive review.
The Fujifilm XT5 is a 40MP mirrorless camera capable of 6.2K video at 30p. With those specs, it’s an ideal choice for photographers needing a camera to pull double duty for imaging and video.
Using leading lines in photography helps improve the composition by drawing viewers in and leading their eye from the foreground to the background. Explore some fine examples of this in this guide!
The Insta360 has one of the best lineups of action cams and 360-degree cameras. With these Insta360 accessories, you can elevate your photography and videography game!
Creating impactful photos of landscapes depends on many factors, not the least of which is your talent behind the lens. This guide explores other elements required for the best product.
The Canon EOS R100 is an entry-level mirrorless camera introduced in 2023. But just because it’s an entry-level camera doesn’t mean it’s a bare-bones camera. Find out why in this review!
Are you ready to upgrade your camera? Before buying new, you might consider the value of purchasing used gear to save money.
The Olympus OM-D E-M10 Mark IV is a micro four thirds camera released in 2020. It’s an entry-level system along with the OM-D E-M5 Mark III. Use this guide to determine which one is best for you!
Blue hour photography might not be as well known as golden hour photography, but it is every bit as good a time to create epic images of landscapes. Learn how in this quick tutorial!